- Film choice - influenced by "the golden photo"?
- Printing B&W Slides - paper suggestions?
- Gaf Lustrex Y2 double weight contact paper
- Non-Hardening Fixer - OK for film?
- Fixing times when re-using Ilford Rapid Fixer
- getting very tired of arista.edu curl in 120
- Alternative D-23 developement procedure
- Should I Make the Move to Graded Fiber Paper?
- Kodak HIE - Time to re-think your decision Kodak!
- XTOL as 2-bath?
- Quick Ferri Question
- Paper developer recommendation...
- white lines on edge of prints-ideas?
- Delta3200 @ 1600 in Diafine?
- Outdated T-Max 100/please evaluate.
- Developement Pan Atomic X advice
- Non-DI RC papers?
- Testing expired T-Max 100
- Characteristic curve for TMX in XTOL 1:1?
- How do you keep track of your work flow?
- sodium metaborate (Kodalk) instead of Borax?
- Variable Contrast Paper question...
- When mixing B&W chems: distilled/rev osmosis water or not? Other rants too.
- Rollie Infra Red sheet film - development & filmspeed
- Developing OLD Verichrome Pan
- Testing film.
- Hardener deposits?????
- Salt spots on negatives
- Why so much Sulfite?
- comparing 120 film with 35mm
- pyrocatechin two bath.
- Got Stouffer Step Wedge - Now What Do I Do With It?
- toners
- Where to buy sepia toner in Canada?
- Solarisation with hydroquinone? (or other stuff)
- T-Max 100
- Identifying emulsion side on FP4 5X7
- Ansco All Weather Film
- Do you pre-wash/pre-soak Fuji Acros ?
- Downloadable 18% Gray Card
- Anything close to Plus-x
- tri-x 320p Pyrocat HD PT-PD
- Hc110 simplified.
- CJ Chemical
- MC filters brand specific?
- Any thoughts on Fotokemika Emaks or Slavich Unibrom?
- Fuji Neopan Acros in Pyrocat - examples?
- SilverLock questions
- Re fix after Sepia
- kodaks Sweet Odour