- wet mounting in a glass carrier
- RH Designs ZoneMaster (I & II)- Opinions?
- more wiese technik info please
- Have I been working to hard at this?
- Printing Full Frame 4x5 and Pol Type 55, Help!
- best aperature for printing
- Replacement for ESJ lamp
- Lamp WAY too bright - Prints too dark
- Determining exposure for B&W?
- Lamp upgrade for Durst 138S enlarger
- Diffusion Printing
- PMK Negs & Split Contrast Printing
- Darkroom building/ventilation advice
- Ancient Kodak enlarger Model A info needed
- Question about VC papers
- Use of colorhead
- Pin-registration Negative Carriet for Omega F
- Printing Panoramic
- Taking Notes
- DeVere 504DS
- Fujimoto 450 M Variable Contrast Enlarger
- Dektol powder
- print highlights and borders
- Lektra Timer In Need Of Repair
- What are these odd lines?
- First attempts--paper questions
- How to make this?
- Durst Multigraph Head and Graded paper
- Split Grade Printing & % Dry-Down Calculations
- clibrating dichroic colour heads for variable contrast black and white printing
- Use of Microwave to view dry-down quickly
- Repromaster lenses?
- Any opinions on Saunders/LPL 670CXL enlarger?
- Condenser Enlarger Illumination "evenness"
- Thread for Componon-S 240 - 66mm???
- Whats the maximum print size from 35mm?
- Uneven illumination with Durst VC670
- "Dry-down" with RH design's Analyzer?
- Beseler 23c lamp
- Contrast Grade vs. Exposure Time
- Multiple layers when printing?
- Enlargement problem
- Correspondance course for Advanced Printing
- Printing Small.
- Handling a large contrast - will pre-flash help?
- Cutting down exposure times w/Neutral density?
- B&W Prints from Color Negatives
- Need help with Philips PCS130/150 (same as Paterson PCS2500)
- Problem with Focomat Ic...
- Omega 700-c Enlarger