- Toning salt prints
- Coating blades
- Liquid Light issues...
- Paper coating question
- Contrast Control with Cyanotype
- Mimosa Glass plates
- Resinopigmentype?
- Center For Antique And Historic Photographic Processes seminars... A+!
- Using Rapid Fix for VDB, Kallitypes, Salt Prints
- Gum v.s Casein printing
- Van Dyke it is
- Richeson Magic Brush technique
- foam brush paper coating question
- Lith and Ilford MG Fibre Warmtone
- Gum Overs - What pigment colors are being used
- UV LED light box for alternative printing?
- Dryplate Tintype Developer
- A visit to Bostick and Sullivan
- More on ortho sensitive paper negatives
- dry plate w/o hardener
- Anyone ever try this?
- Ortho sensitve emulsions
- parchment for van dyke or other alt. process
- Dichromate method & density
- Polaroid Type 55 and pt/pd
- Making Ferric Oxalate
- kallitype first rinse
- Why are there no Ferrotype Landscapes??
- Home-made PO and pH
- "Melanograph" - What is it?
- Are wooden frames harmful to Pt/Pd prints?
- negatives for kallitype
- Liquid emulsion (silver) over cyanotype... Any suggestions?
- Cutting Large Sheets of Paper
- Sparkly stuff in gelatin sizing
- Books on Kallitypes?
- Your one choice for Pl/Pd prints
- Correct Side of Paper for Pt/Pd
- WHat's the final word on spiral, screw-in black light bulbs?
- Arches Platine & VDB - why hasn't anyone done this before?
- Bromoil on Aluminium
- Pt Toning times for van dyke and paper weight
- Question for all you Bromoilists
- Sizing paper & exposure time questions???
- How to mix platinum toner?
- Van Dyke toning procedure
- UV light problem-Bands/stripes in my skies
- THE ECONOMIST Alernative Photography
- -Another- Theoretical Question - Ferrogallate Process?
- First attempt at Na2 Pt/pd printing - along with first foray into "fog" photography