I've got the first session tonight of the level II Classical Portraiture class down at the Smithsonian. I'm really looking forward to it. I've been in a bit of a creative slump lately, so having the class will hopefully spur my juices by making me get out and shoot more.
Well, it went quite well overall. VisArts has a decent wet darkroom, with enough space to process even fairly large silver prints (maybe 5,6 enlarging workstations, and a 12' or so sink). There were a dozen or so folks in attendance, and the interest level was high. We only had time for one print, but we came pretty close to correct exposure given that we had to guesstimate the time - they had their own lightsource which had BL bulbs, not the BLB bulbs I have in my unit at home. I think the finished
I've been invited to do a platinum/palladium printing demo tonight at the Large Format club gathering at the VisArts center in Rockville. It's just a quick demo, not a full-on class, but still, it's something.
Well. Just when I though the G. A. S. had subsided. I was bemoaning the loss of my XG-M to a friend who was getting into photography (I, over the years have been generous ot a fault). I have hooked about eight friends up over the years with 35mm Minolta setups, all sr-T's or XD/XG's. So I am fondly remembering my first camera, XG-M. And I really have been missing it lately. Don't worry, I know precisely where it is and I might even try and swap my new XG-1 for it. Yeah, I did it again. Last
Do you hear music when you compose a photograph?
For those with the condition of sound-colour synesthesia, the association between the visible and auditory experience can feel quite literal: colours can be experienced as sounds and vice versa. My own favourite synesthete, Russian composer Alexander Scriabin, developed quite a rigorous theory around his own associations of sound with sight, complete with a coloured keyboard to confound his contemporaries.
Updated 04-02-2009 at 12:15 PM by keithwms