Provia 400X and Astia 100F in my Bronica GS-1 this afternoon, and a couple of days ago.
Tomorrow...Some more Astia, and whatever B&W falls out of the freezer.
--Greg
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Provia 400X and Astia 100F in my Bronica GS-1 this afternoon, and a couple of days ago.
Tomorrow...Some more Astia, and whatever B&W falls out of the freezer.
--Greg
Lately I've used Reala 100 for my 6x9 pinholes and mostly Kentmere 400 for other cameras.
tix and plus x and "classic pan" 120
not sure what is in the half frame, maybe tri x
been shooting / exposing hand coated paper ( and dry plates ) mostly ...
I've been shooting some available light window light portraits with 120 Kodak Portra 400 at boxed speed using a tripod and a big silver Lastolite reflector to bounce some light back and light the shadows.
This week...
35mm - Sensia 100 (http://500px.com/photo/8136520), Tmax 400, Tmax P3200
120 - Provia 400x( http://www.bcarlsonmedia.com/2012/06...i-provia-400x/ ), Tmax 400
(EDIT: Ooppss, posted in here a couple weeks ago... sorry.)
Expired Polaroid 55 P/N.
Unfortunately, it turned out to be "too expired" :(
All I got were two smears across the negative/positive - more like a Rorschach test than something that came out of a camera ;)
Portra 160nc in a 126 Instamatic
Agfa Superpan 200 (exp. 1984) in an Olympus OM1
Kodak Gold 200 in an Olympus OM2
Ektar 100 in my Mamiya RB67! I actually have a collection of films needing to be processed. I made a fresh batch of chems, so hopefully tonight I'll starting them.
Portra 400, HP5+ @ 400, HP5+ @ 800, Tri-X @ 200 (for processing in perceptol) all in RB67.
I'm aching to shoot this Rollei 80s (35mm) as I really love heavy S-curves.
This past Saturday, Fuji 64T 4x5 QuickLoad, and Fuji FP100C45.