Not really germane to the topic I know but having started colour neg printing recently, I have started to see( real or imagined) colour casts in pictures be they still or motion pictures.Quote:
Originally Posted by MattKing
I am sure I have read somewhere that Kodak used to tend to have a cold bluish look, Fuji was warm and Agfa was fairly neutral and a little more muted than the other two. It was said this reflected how the respective nations producing them "saw" colour.
Certainly I remember thinking in the 1950s how motion pictures which were "Eastman or Deluxe" were much cooler than Technicolor which was always the film of choice for epic westerns. Colours were always saturated. Skies were deep blue and everybody was tanned. Shadows never had that blue look about them.I think Eastman was Kodak but I don't know about Deluxe or Technicolor.
I watched a film recently on U.K. tv called "Mulholland Falls" with Nick Nolte and it was a police crime drama with a political overtone set in California in the early 1950s. I am sure it wasn't my imagination that made me think it had an overall cool blue cast despite it being sunny. It seemed to capture the period very well and I had assumed that the producer was trying to replicate films of that period.
Any technical historians of film out there care to educate me?