Been using my Zeiss Ikon Contessa this week. Later today, I am going out with my Canon EOS 50e loaded with Kodak Plus X film. I just bought an out-of-date bulk roll of the film and this is to test the film as much as anything.
Nikon F2AS with 85/1.8 Nikkor-H AI'd, Ektar 100. F also has Ektar 100 in it and a 35/2 Nikkor-O AI'd attached to it... Spottie has Adox CHS 100 in it and a 55/2 Super-Tak hanging off the front.
-J
Always under construction. Currently:
Nikon: F5, F4, F2AS x2, F, FM2n, Nikomat FT2, FTn*, D200 (yes, off-topic) - cameras marked with a * are chrome - the rest are black
Lenses (Nikkor unless otherwise marked): 24/2.8 AF, 28/3.5 H, 35/2 O & AIS, 50/1.8 AF x2, 50/1.8 AIS, 50/1.4 S, 50/1.4 AI, 85/1.8 K, 135/3.5 Q, 200/4 Q, Samyang 18-28/4-4.5
I am using two cameras this week. First is my Minolta Uniomat with Agfa colour negative film and the second is my 'new' Ihagee Exa 1a which is loaded with Kodak Plus X. Hope they can both cope with miserable dull weather.
I have my 1960's Asahi Pentax SV loaded with some 'back to front' Fuji Super G 400 outdated to try this 'RedScale film process'.
My 1971 Pentacon Six has some 2001 outdated Kodak Porta 400 NC in it but the weather is far too grey now to go out with it.
My 1980's Canon AE1 has a short length of Ilford Delta 400 in it .
Shooting an F4S with Kodak UltraColor 400 and an F3HP with Kodak BW400CN. Both are new cameras that I've gotten in the past month or so. First time using them.
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Art