need some tips for building a LF camera - Page 3

Jim Fitzgerald · 06-26-2009, 10:09 PM

Yes, crazy indeed! I even built 2 Walnut tripods! One for each camera. For me I needed to see what I wanted to build. I'm no master designer but I can make decent copies! I took my 4x5 Zone VI and made a 11x14 just like it. I took my Seneca Improved 8x10 and made my 8x20. Yes I did this with hand tools in my apartment and lots of time and love went into the project. It depends on how you build things. Most important thing is to take your time and set no deadline. When you are inspired to work on it then do it. Took me a year and change to make the 8x20 and about 10 months to do the 11x14. Second was faster and more inspired. Good luck and don't let anyone tell you you can't do it. That is what i was told and I have some nice negatives and nice prints from both cameras that I wasn't able to make because I lacked a proper shop and tools.
My 11x14 is with me on my avitar.

Jim

NormanV · 06-26-2009, 10:56 PM

If you wish to be part of todays "must have it now" society then go ahead and buy another camera to use the parts. On the other hand if you want to make something that is yours and you want to get the pleasure of designing and building it for yourself then get hold of a copy of Stroebels "View Camera Technique" look at other peoples ideas and decide on your own approach to the problem. Ther are many different ways to 'crack a nut'. Find your own, don't be a sheep, find your own way.

archphoto · 06-26-2009, 11:14 PM

And if you are looking for some fine power tools have a look at the Proxxon program, they have some great tools for the fine work.

Just get started and if you feel unsecure, start with some cheap wood to practice and when you are happy with the results start on the real thing with mahogany or what ever kind of exotic beautifull wood.
Don't over-rush your self and step back at times to see the results and photograph the steps, in that way you will have a full record of the building.
Make mistakes with the cheap wood, ask questions, there will be people here to help you along with answers and tips.

And not to forget: post some pic's here when your camera is finished in a year or so !

Peter

johnnywalker · 06-27-2009, 01:00 AM

Quote:

Originally Posted by Venchka

"weather treated mahogany"

Never heard of it. What is it? Mahogany is one of those names that gets attached to a lot of trash wood. There is only one real mahogany.

The wood is the least expensive component. Yould be better off buying some really nice walnut or cherry or pattern grade Honduras mahogany.

You're right, a lot of wood does get called Mahogany. Traditionally there are two "real" mahoganys: African (various Khaya species, probably all with slightly different characteristics) and Honduran (Swietenia macrophylla, which grows in other countries in Latin America besides Honduras). The imitation mahogany is usually from Asia, usually various species of Shorea, and commonly known as Meranti or Lauan in the trade. Not bad woods in their own right, but not Mahogany.

More than anyone wanted to know about Mahogany I'm sure.

But who is to say the OP doesn't have the real stuff? Take a sample to a good wood working shop, I'm sure they can tell you if you've got the real stuff or not.

claudermilk · 06-30-2009, 12:06 AM

Quote:

Originally Posted by NormanV

If you wish to be part of todays "must have it now" society then go ahead and buy another camera to use the parts. On the other hand if you want to make something that is yours and you want to get the pleasure of designing and building it for yourself then get hold of a copy of Stroebels "View Camera Technique" look at other peoples ideas and decide on your own approach to the problem. Ther are many different ways to 'crack a nut'. Find your own, don't be a sheep, find your own way.

Bingo! I'm having a ball just figuring out how to fill in the blanks from the information on the Rayment Kirby site. It's taken some thinking, lots of searching on McMaster-Carr and other suppliers, then some re-thinking.

I'm planning on building two of these: #1 is a trial run to verify my design work was right & get my rusty woodworking skills a little better, then #2 will the the real thing.

The thought of answering the "cool camera, where'd you buy it?" question with "it's not bought, I made it" is a nice incentive. Already getting some of that from the hot rod project. It's addictive...

Steve Smith · 06-30-2009, 03:12 AM

Quote:

Originally Posted by johnnywalker

But who is to say the OP doesn't have the real stuff? Take a sample to a good wood working shop, I'm sure they can tell you if you've got the real stuff or not.

Does it matter? If it looks o.k. and is easy enough to work with, I'm sure it will be fine for a camera even if it is one of the 'imitation' mahoganies.

I have made guitar necks with mahogany look-alikes which have worked out fine. The wooden parts of a camera do not need to be as stable as those of a guitar.

Steve.

johnnywalker · 06-30-2009, 10:07 AM

I don't know if it matters or not. I personally prefer the look of real mahogany, but the real issue would be the stability of the wood after drying. The look-alike you used would obviously be good enough, but there are so many species sold as Mahogany one could never be sure which one you were getting. The look-alikes are sold mostly on the basis of colour, not physical characteristics.