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Now for the reflex route
After restoring a couple British folding cameras 1/4 & 1/2 plate, plus a couple of Speed Graphics and many Thornton Pickard roller-blind shutters I've taken the plunge into Reflex cameras.
On the way is the first of 2 Thorton Pickard Ruby reflex cameras, described as the shutter having finished it's life, no focus screen, no silver on the mirror, and no lens, there's corrosion of the back, basically a real challenge. The plus side was the price at under £20 ($31).

Hopefully this restoration will be more time and effort than further monetary outlay. I've a 7ft lenght of shutter cloth to make a new shutter blind and glass for the screen & possibly the mirror. It would be nice to find a sunken mount lens but that's not imperative at this stage. At the moment the biggest challenge will be the new reflex mirror although I do have an old article on making one !!!
I see this one as a learning curve as a local museum would like to have one in use at special open days, I don't want to experiment with theirs, I need to be confident I can fix it 
The second if I get it will provide addional lenses etc and is in much better condition.
My fingures are crossed based on the premise that usually things look far worse than they really are. The 1/4 plate Victo looked like this
and is now restored, athough awaiting a new carrying handle.
And my pre-Anniversary Speed Graphic looked like this     


but is now fine, and the shutter's smooth,although the body's naked 
Will document this restoration 
Ian
Last edited by Ian Grant; 06-05-2012 at 06:18 PM. Click to view previous post history.
Reason: add
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This looks like a very worthy project for you.
Warning!! Handling a Hasselblad can be harmful to your financial well being!
Nothing beats a great piece of glass!
I leave the digital work for the urologists and proctologists.
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 Originally Posted by Ian Grant
The 1/4 plate Victo looked like this and is now restored
Any after restoration pictures to show?
Steve.
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I just wish I had half the skills... I am always tempted by the fixer-uppers. Which for me has meant a few cameras sent off to repairmen instead. But the positive thing is, a few cameras (Nikon F2, Pentax S1, Rolleiflexes and some more) will live on a bit longer as fully functional tools.
I really like these reflex cameras, but how practical are they, really? Slightly clunky, odd beasts or better?
Prints reveals truths that negative scans obscures.
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By uncanny coincidence I have just spent the last few weeks playing with a Thornton Picard Ruby reflex.
Oh dear... 
There is a science fiction film. I can't remember what it is called. It is one of these set in the future 'Everybody living underground after the nuclear holocaust because the planet's surface isn't inhabitable any more' type things. One guy tries to escape - and is pursued by 'android supermen' types. In the last scene he is running down a long tunnel to escape. The androids are after him - and in a control room somewhere we see the cost being expended on capturing this guy clocking up by $$$$. At a certain point, the androids stop and just let him go. He doesn't know why, but it is because the 'system' has decided they've expended enough resources on him and so they just give up and write him off.
So, the question is, does anyone recognise the film?
Because, that is exactly what it was for me like trying to fix a Thornton Picard Ruby Reflex...
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 Originally Posted by Ian Grant
This is the Houghton's 1/4 plate Victo
That's quite an improvement. Is the front standard fixed or can you apply some movement to it?
Steve.
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Steve, I suspect it's the curtain material that's causing your problems. I may be able to help you out there if you want to pop down and collect some 
Ian
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 Originally Posted by Steve Smith
That's quite an improvement. Is the front standard fixed or can you apply some movement to it?
Steve.
On this model the front standard is fixed, although it'sremovable to fold the camera up. Of course there's rear tilt which on a smaller format is usually sufficient.

Ian
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