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  1. 05-10-2011 02:56 PM #21
    Mustafa Umut Sarac
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    Index Number 138 Spectral Analysis
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  2. 05-10-2011 03:11 PM #22
    holmburgers
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    I'll see if the Sigma-Aldrich book has these dyes listed and post them if so.
    From the film shooters will rise a well developed practice of the alternative processes that, in time, will be adopted in the age of the digital image to free it from the extreme boringness of pressing print.
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  3. 05-10-2011 03:33 PM #23
    Mustafa Umut Sarac
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    look for 692 ,677 ,737 , I will search more.
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  4. 05-10-2011 11:21 PM #24
    holmburgers
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    Ok, forgive me, but in posts 19 & 20, are those all the same names for the same dye, or many different dyes? I'm guessing it is just 2 dyes, Fast Red S & Metanil yellow, but I'm just not certain.

    And what are 692, 677, 737 (besides an airplane)?

    I have Metanil yellow and will post shortly. .
    From the film shooters will rise a well developed practice of the alternative processes that, in time, will be adopted in the age of the digital image to free it from the extreme boringness of pressing print.
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  5. 05-10-2011 11:35 PM #25
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    Metanil Yellow

    This thread is a interesting, and I'm sorry but I missed it initially. You would really enjoy J.S. Friedman's book Umut, he worked for Technicolor (or consulted?) at one time, and discusses the scheme in some detail.

    It's amazing to think that Technicolor made literally thousands of dye-transfer prints in a single day, or with a single print of a movie, and with a remarkably high degree of sophistication.
    Attached Thumbnails Attached Thumbnails Metanil Yellow.jpg  
    From the film shooters will rise a well developed practice of the alternative processes that, in time, will be adopted in the age of the digital image to free it from the extreme boringness of pressing print.
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