Originally Posted by Jon King
Originally Posted by Svend Videbak
As you can see from Jon's post - my idea was certainly not original. In fact, I had some memory of the Calvin and Hobbes comicstrip story he links to, though not the actual link itself and kind of turned the logic around. "C and H" used to be one of my favorite comic strips. Bill Watterson's wit and wisdom is well regarded:
It's too bad he felt burnt out and stopped the strip.
I shoot both B&W and color, BTW.
People have said that creating a good b&w image is harder than creating a good color image. I see it the other way around. I think it takes a better photographer to create a powerful color image, where color adds to the emotion and doesnt take it away. I hope that made sense. I personally have created more b&w images I'm happy with, than color images.
"color theory" Colors have weight in their value. Too close a shade and the work is muddled. Just the right color in the right place and you have vibrancy and motion. You apply a filter with B&W to approximate color weights. Without the filter the image is/can be muddled. Apply a red filter and green falls back
apply a green filter and green comes to the front ..or you could skip that chapter and just say the tones separate in much the same way as they do in color for us.
I don't believe there is any difference. Using black and white film is just a new way of seeing color. I often take Color photos and simply desaturate em to see if there is any difference ..none. A good color photograph will make a good B&W same as a good color painting will make a good B&W painting. There is a reason why there are filters and that reason is "Contrast"
Same reason for why always using a dark red filter isn't the best thing to do ..eventhough it seems "really cool" to do just that.
B&W gives you the ability to paint a little bit and color is more like finding a painting
One has emotion, depth and a sense of power ... the other just lacks color.
I completely disagree. Many really great color photographs lack the kind of lighting that gives soul to a B&W shot. And there are plenty of situations in which a B&W fails to communicate in the way that color can. The two are not the same thing, and not at all interchangeable IMO.
Originally Posted by sun of sand
One major reason that I work in B&W is that it is less literal than color. If I'm photographing a child, I'm looking to say something about childhood in general, or maybe my own childhood, and monochrome is a big part of that. I like images that feel like distant memories.
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Apologies for snipping out just what my reply targets.
Originally Posted by sun of sand
I would just like to point out that a desaturated color image, and a black and white image are completely different things. The desaturated color image represents color tones without chroma, while a black and white image renders its values according to the spectral sensitivity of the film stock.
A good example is that with certain B&W stocks the color red might register as very dark, or black, whilst with desaturated color, it would will record as a light gray. Desaturated color images lean mostly to mid tones, producing a look and feel of there own, but are nothing like black and white film and printing, except that they lack chroma. Your desaturated color image is indeed the same as the color image, minus the color.
Last edited by JBrunner; 09-16-2007 at 02:56 PM. Click to view previous post history.
Anyone else know about the late Dean Collins? http://www.software-cinema.com/disc_...php?disc_id=82
Originally Posted by Cheryl Jacobs
If you read Sontag's ON PHOTOGRAPHY you'll learn at least as much as you ever cared to on the topic. Quite possibly more. It's an exhaustive analysis on the psychological aspects of the medium from many angles.
Quite possibly less.
Originally Posted by Sparky
It's really about HER idea of photography, not about the psychology thereof. That's why it's an essay, not an academic paper.
It's insightful and thought-provoking, but not what I would recommend to understand the emotional impact of photographs.
Using film since before it was hip.
"One of the most singular characters of the hyposulphites, is the property their solutions possess of dissolving muriate of silver and retaining it in considerable quantity in permanent solution" — Sir John Frederick William Herschel, "On the Hyposulphurous Acid and its Compounds." The Edinburgh Philosophical Journal
, Vol. 1 (8 Jan. 1819): 8-29. p. 11
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that's a bit dismissive, I'd say. From your perspective, Michel - isn't it true that you could make the same statement about anything? I, personally, cannot imagine a more coherent document covering the emotional 'meaning' (i.e. psychology) of the medium. If you've read something that betters it in this respect - I'd really like to know about it.