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  1. #41
    Sirius Glass's Avatar
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    Quote Originally Posted by Gerald C Koch View Post
    In my gadget bag alongside the wire filter is a people filter. Pop it on the lens and people will no longer be visible in the photo.
    Will it automatically improve the composition? That is what I am looking for => a filter to improve the composition.
    Warning!! Handling a Hasselblad can be harmful to your financial well being!

    Nothing beats a great piece of glass!

    I leave the digital work for the urologists and proctologists.

  2. #42
    Vaughn's Avatar
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    Quote Originally Posted by Sirius Glass View Post
    Will it automatically improve the composition? That is what I am looking for => a filter to improve the composition.
    I find that a BS Filter, reversed, can also improve composition.
    At least with LF landscape, a bad day of photography can still be a good day of exercise.

  3. #43
    Sirius Glass's Avatar
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    Quote Originally Posted by Vaughn View Post
    I find that a BS Filter, reversed, can also improve composition.
    Ah, were can I buy the BS filter of which you speak??
    Warning!! Handling a Hasselblad can be harmful to your financial well being!

    Nothing beats a great piece of glass!

    I leave the digital work for the urologists and proctologists.

  4. #44
    Christopher Walrath's Avatar
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    Oh, actually, I have three.
    Thank you.
    CWalrath
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    "Wubba, wubba, wubba. Bing, bang, bong. Yuck, yuck, yuck and a fiddle-dee-dee." - The Yeti

  5. #45

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    Kk, going back to the main topic!

    I'm gonna go against the grain and say that I actually prefer having people in my landscapes and urbanscapes. I find it adds a different depth to the image if it was just the landscape.

    When I do have them in, I kind of make it so they're a part of the scene but not the subject. Usually I don't shoot faces, which I think distracts viewers as people focus on faces. Part of my tactic is in keeping the person small relative to the image so that they're like a portion of the landscape shot.

    Here's one of mine: http://www.flickr.com/photos/dugrant/4896540485/

  6. #46
    keithwms's Avatar
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    Yes, I was just discussing the use of people as scale cues with a pair of architects, and the way placement of people causes the viewer to imagine what they must feel like, in the scene, i.e. to personalize it.

    Careful placement of people can do wonderful things. Of course, there are no firm rules.... effective landscape images may or may not have people in them.

    I still stand by what I said earlier in the thread- I think it's a bit ridiculous the lengths to which some photographers will go, to try to obscure the evidence of humanity in the modern landscape. There are few out there courageous enough to incorporate all the power lines, the roads, the urban monotony... and all the other things we consider opposite the classical landscape.
    "Only dead fish follow the stream"

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  7. #47
    Sirius Glass's Avatar
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    In Virginia it can be hard to keep evidence of humanity out of a photograph, however in the western states the can be easily accomplished.
    Warning!! Handling a Hasselblad can be harmful to your financial well being!

    Nothing beats a great piece of glass!

    I leave the digital work for the urologists and proctologists.

  8. #48
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    Photos made by case-by-case decision: YES, unless the photos would fail to meet some important conceptual goal unless made with pre-determined guidelines. Photos made by predetermined rules: NO, unless the rules are somehow part of your concept.

    In other words, do what you want to do in order to do what you want to do with the picture/series.

    IMO, good art photography is seldom only about making an attractive picture. That is mainly what commercial photography's goal is. Making an attractive picture should not be the goal of photographic art; making the attractive picture should be a tangible technique that can be used or misused to achieve an intangible artistic goal. So, make your pictures such that the way they look serves your purpose; do not just blindly make them look "good" based on some predetermined set of guidelines. I fail to see why so damned many people need to set up rules for themselves in their shooting/printing. Just shoot, and make it good...or not. My two cents. I am sure YMWV.
    2F/2F

    "Truth and love are my law and worship. Form and conscience are my manifestation and guide. Nature and peace are my shelter and companions. Order is my attitude. Beauty and perfection are my attack."

    - Rob Tyner (1944 - 1991)

  9. #49
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    Very interesting. I am approaching to finish my project on Italian Landscapes and cityscapes that I last worked on 3 years ago and now it's time to bring to completion.
    This time I will definitively be looking for the human component in both landscapes and cityscapes. It really is a personal choice for anybody. It depends what you want to tell. My new approach is to show the relationship that man has had with the land for thousands of years. Even though the land can live without man, Man cannot survive without the fruits of the land, and that is for me a wonderful subject for study. But that is only a part of the project, that you can see better explained at this link.
    For prints sales, workshops and individual lessons,
    please, check my website



    My APUG Portfolio
    http://www.apug.org/forums/portfolios.php?u=196<p>

  10. #50

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    All except one of my landscape shots do not have people in them. The one that does would not work nearly as well without that person in it.
    Mike

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