Switch to English Language Passer en langue française Omschakelen naar Nederlandse Taal Wechseln Sie zu deutschen Sprache Passa alla lingua italiana
Members: 70,287   Posts: 1,535,342   Online: 818
      
Results 1 to 4 of 4
  1. #1
    gr82bart's Avatar
    Join Date
    Mar 2003
    Location
    Culver City, CA
    Shooter
    Multi Format
    Posts
    5,224
    Images
    37

    Question Does a hybrid process enhance a traditional's artistic creativity?

    That is beyond the extra tools and techniques it offers.

    I find that it's 'freed' my creativity. Released it from the stifling limitations that orthodox traditional boxed me into. I think it's because of the hybrid process that I shoot MORE film now. I find myself thinking not just about the image I am taking, but how the image will be part of a larger final product that may include elements of digital incorporated into it.

    Now, I don't always follow through. In fact more often than not, I find there is too much latitude in where I can go with the final product. Like that cliche "a kid in the candy store" I want it all and leave the store sometimes with nothing!

    Before I was a WYSIWYG kind of photographer. Today, sometimes I don't even know what the final product will hold.

    Regards, Art.
    Visit my website at www.ArtLiem.com
    or my online portfolios at APUG and ModelMayhem

  2. #2
    Ian Leake's Avatar
    Join Date
    Mar 2005
    Location
    Switzerland
    Shooter
    8x10 Format
    Posts
    1,363
    Images
    48
    I find the opposite Art. I've found that the self imposed constraints of equipment, format/size, print medium, etc have enabled me to go much deeper, much faster. I used to constantly dabble and experiment with new things - a new paper or a new toner, maybe lith, enlarging one day and contact printing the next. As a result I confused myself, mastered nothing, and was creatively boring. As soon as I decided to constrain myself I started making real progress. That says much more about how my mind works than about technology or process of course.

    What I do find incredibly attractive about hybrid is that when I need to I can make a digital negative for contact printing. I've no plans to stop using film - using a view camera is completely different from using a smaller format, and I very much prefer film negatives to digital ones. But sometimes LF is not the answer. I did a project with a dancer recently - lots of spinning and jumping - almost impossible to work productively with 10x8 (though if we'd had infinite time and money we could have worked this way - as witnessed by some of the prints I posted in APUG a while back). But by using digital capture we built two really good portfolios over a few shoots, and now I'm slowly working through creating decent digital negatives so they can be printed. And when I'm travelling it's much easier to carry a rangefinder and a few rolls of Delta 3200 - develop, scan, print a digital negative, make a platinum print - perfect. I really like the grain from Delta 3200 in Rodinal printed with platinum - yummy!

    So for me it's not a creativity enhancer, it's just another tool in the toolbox. But as Thomas said in another thread, "To each their own, I suppose."
    Last edited by Ian Leake; 10-31-2008 at 02:21 PM. Click to view previous post history. Reason: Changed some words around

  3. #3
    Jeremy's Avatar
    Join Date
    Oct 2002
    Location
    Denton, TX
    Shooter
    Multi Format
    Posts
    2,767
    Images
    56
    Quote Originally Posted by Ian Leake View Post
    But as Thomas said in another thread, "To each their own, I suppose."
    I think this is going to be the deciding factor in this thread. I see those who use hybrid saying "Yes" and those who don't say "No."

    Honesty, if you are using hybrid there has to be a reason you are doing so, whether it be more options, such as Ian's use of a digital for a subject difficult to do with an 8x10, or something else. Additionally, if you aren't using hybrid then I don't imagine that you feel you are limited by "only" using traditional materials.
    Let's see what I've got in the magic trash can for Mateo!

    blog
    website

  4. #4
    Ann M's Avatar
    Join Date
    Sep 2008
    Location
    Suffolk, U.K.
    Shooter
    Medium Format
    Posts
    41
    Yes, Art, like you I have found hybrid processes very liberating.

    I've done some cyanotypes and gum bichromates but I also do some printmaking (i.e using inks!). The processes I use are all photography-based (mostly photo-etching and photolithography). I find that using the different processes and seeing the work of others makes me look at my subjects differently. Now I feel I am more aware of the potential of images and I am more inclined to experiment, perhaps using different processes together.

    This may be 'artistic' development rather than strictly photographic. It will be interesting to see how it affects my 'straight' photography.

    All of my work is based on my regular photography - flowers and plants shot on Fuji Velvia and then scanned for web or digital printing. Maybe this helps lend some cohesiveness and makes me less confused. (But I wouldn't bet on it...)

    I can, however, see Ian's point about going deeper faster, guess it depends on your individual approach. I reckon it'll take a lot longer for me to produce a decent print!

    (FWIW, using cyanotype, I will be able to contact-print 5x4, giving me a chance to make truly analogue prints without having a darkroom. )



 

APUG PARTNERS EQUALLY FUNDING OUR COMMUNITY:



Contact Us  |  Support Us!  |  Advertise  |  Site Terms  |  Archive  —   Search  |  Mobile Device Access  |  RSS  |  Facebook  |  Linkedin