When I started printing(not long ago) I had no idea about the papers except they are classified as RC and Fiber with warm and cold tones. So, I thought it may be interesting to know what others are using...
OM-1n: Do I need to own a Leica?
Rolleicord Va: Humble.
Holga 120GFN: Amazingly simple yet it produces outstanding negatives to print.
About 80% of the time: Ilford Multigrade IV (both RC and FB) in Ansco 130.
Occasionally I use other papers, and from time to time I tinker with other developers, particularly if I run out of glycin to make 130 from.
Jim MacKenzie - Regina, Saskatchewan, Canada
A bunch of Nikons; Feds, Zorkis and a Kiev; Pentax 67-II (inherited from my deceased father-in-law); Bronica SQ-A; and a nice Shen Hao 4x5 field camera with 3 decent lenses that needs to be taken outside more. Oh, and as of mid-2012, one of those bodies we don't talk about here.
LPD and MCP 310 for contact prints, 312 for fast enlargements (not for wall display sort of thing.) I'm considering going back to MGIV RC Pearl for those, though, because I don't like the way MCP 312 tones nearly as well.
For neutral tone display prints, MCC 110 and LPD. For warm tone display prints, MGWT FB and Ilford WT developer (and a light touch of brown toner.)