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  1. #11
    titrisol's Avatar
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    Morten, since you are going to try that my advise is to bracket between ISO 50, 80, 100 and then develop to decide which of those "speeds" suit you best and match your development time/temp/technique combo
    As a starting point develop your film for about 1 less minute that agfa's reccomended times


    Quote Originally Posted by modafoto
    that I will try. I have some rolls in the fridge so it is easy to give it a try (and Rodinal is always on stock (at the time 2 litres of concentrate!)
    Mama took my APX away.....

  2. #12
    modafoto's Avatar
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    Quote Originally Posted by titrisol
    Morten, since you are going to try that my advise is to bracket between ISO 50, 80, 100 and then develop to decide which of those "speeds" suit you best and match your development time/temp/technique combo
    As a starting point develop your film for about 1 less minute that agfa's reccomended times
    Thanks for the advice! I will go test the stuff on sunday (I hope...)

    Morten
    Morten Damkjær

    I shoot b/w with my Holga, Lomo Cosmic Symbol or Olympus Trip 35.

  3. #13
    Cheryl Jacobs's Avatar
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    I'm boring. Oops, I mean consistent. Tri-X in 35mm or 220, developed in Tmax. If it ain't broke, I don't fix it.

  4. #14
    Will S's Avatar
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    I think I'm boring too. I use HP5+ with a developer called prescysol (or something like that, I can never remember how to spell it.) It is pretty amazing stuff though.

  5. #15
    blansky's Avatar
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    In 6x6 I use FP4 dev in Zonal Pro Gamma Plus.


    Michael
    I couldn't think of anything witty to say so I left this blank.

  6. #16

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    XP2 at 250! Amazingly fine grain and excellent midtone separation. I don't think it can be beat at that speed.

  7. #17
    Ole
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    When I did portraits semi-professionally, I used FP4+ and Ilfosol-S. This gave me the tonality I wanted as well as grainless sharpness in 6x4.5.

    I also used EFKE R14 (now R50) in Neofin Blau; a combination that can blow your socks off, but really demands that the subject's skin is flawless.
    -- Ole Tjugen, Luddite Elitist
    Norway

  8. #18
    BradS's Avatar
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    35mm in natural light: Plus-X dev'd in D-76. Just love the flesh tones. T-max 400 is a close second.
    Last edited by GaussianNoise; 12-01-2004 at 06:45 PM.

  9. #19
    Eric Rose's Avatar
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    First choice is XP2 at 200 asa in MF. Second choice is FP4 at 125asa souped in HC110 Dil B. The skin tones with XP2 in subdued light are magical.
    www.ericrose.com
    baddog.ericrose.com

    "civility is not a sign of weakness" JFK

    "The Dude abides" - the Dude

  10. #20
    Black Dog's Avatar
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    I'm a big fan of XP2 as well (especially till my darkroom is finished). Other faves-APX/PMK, Delta 3200/rayco UFG (trying PCAT HD) for those unavailable light shots and Polaroid Type 55 (needs a sunny day or flash).
    "He took to writing poetry and visiting the elves: and though many shook their heads and touched their foreheads and said 'Poor old Baggins!' and though few believed any of his tales, he remained very happy till the end of his days, and those were extraordinarily long "- JRR Tolkien, ' The Hobbit '.



 

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