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  1. #31
    CPorter's Avatar
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    AA said once that with color, he can only control it just so far, then it becomes obviously "unreal"----I hope I got the paraphrase correct.

  2. #32
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    Quote Originally Posted by Sirius Glass View Post
    I have a darkroom for both black & white and color processing and printing in Los Angeles, but because I work on the East Coast I do not have enough time to use it now. So I have to send my color work out. I have a place in Los Angeles that does only optical printing. They do my custom work.
    I develop black & white and color on the East Coast. I have a black & white darkroom available to me on the East Coast too.
    Warning!! Handling a Hasselblad can be harmful to your financial well being!

    Nothing beats a great piece of glass!

    I leave the digital work for the urologists and proctologists.

  3. #33
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    troll, troll, troll....

  4. #34

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    Everybody is trolling??? What is troll? Funny.
    A photo amateur
    Sinar P2/F2/Nikon F100/Bronica ETRSi/GS/Saunders 4550XLG/Jobo CPP2/CPE+/Colorline 7000

  5. #35
    RPC
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    I think even if there wasn't digital, there would still be a lot more discussion on the B&W forum compared to the color. As has been said, color processing is standardized, whereas B&W has many more processing variables: more developers, fixers, toners, papers, times, temperatures, contrast control, zone system, etc. The basics aren't too difficult for either, but if you really want to master it, B&W is much more involved and therefore triggers more discussion, but I don't think B&W photography is more popular than color per se.
    It is true too, that many think color is much harder, so shy away from it and stick with B&W.

  6. #36
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    He must be looking in the mirror.
    Warning!! Handling a Hasselblad can be harmful to your financial well being!

    Nothing beats a great piece of glass!

    I leave the digital work for the urologists and proctologists.

  7. #37

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    In common sens, color is harder than B&W.
    1. The process has to done in total darkness. This takes lot of fun away from home darkroom. With BW, you can see the image emerging. No such excitement with BW.
    2. Color requires somewhat more investment than that of BW. The chemical processes are longer and more complex than the BW processes.
    3. The BW technology is clearly simpler than that of color.
    4. The APUG population is for the die-hard film photographers. You have pros, art students, and a lot of other photography-savvy "photographers". The regular general population is not attracted to the APUG.

    The skewness of the APUG population explains majority of the observation.
    A photo amateur
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  8. #38

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    [QUOTE=RedSun;1417966]In common sens, color is harder than B&W.
    1. The process has to done in total darkness.

    You make some fair points but point 1above keeps coming up here on APUG and it's just plain wrong. There are safelights available and the DUKA sodium light in fact gives quite a bright but safe luminosity.

    pentaxuser

  9. #39
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    [QUOTE=pentaxuser;1418159]
    Quote Originally Posted by RedSun View Post
    In common sens, color is harder than B&W.
    1. The process has to done in total darkness.

    You make some fair points but point 1above keeps coming up here on APUG and it's just plain wrong. There are safelights available and the DUKA sodium light in fact gives quite a bright but safe luminosity.

    pentaxuser
    +1. In fact I think the first three are incorrect and the last one irrelevant:

    Quote Originally Posted by RedSun View Post
    In common sens, color is harder than B&W.
    1. The process has to done in total darkness. This takes lot of fun away from home darkroom. With BW, you can see the image emerging. No such excitement with BW.
    2. Color requires somewhat more investment than that of BW. The chemical processes are longer and more complex than the BW processes.
    3. The BW technology is clearly simpler than that of color.
    4. The APUG population is for the die-hard film photographers. You have pros, art students, and a lot of other photography-savvy "photographers". The regular general population is not attracted to the APUG.

    The skewness of the APUG population explains majority of the observation.
    1. As above, simply not true. Suitable sodium safelights such as I lucked into years ago tend to be rare and expensive but a conventional safelight can be used with the proper filter. It's very dark and doesn't show much more than outlines, and I'm not disputing it isn't quite as easy or pleasant as working under a B&W safelight, but even seeing outlines is very helpful.

    2. Not true in terms of equipment or paper. I've not seen a black and white enlarger, except some very very old ones, without a filter drawer. A set of color printing filters currently costs $18 for 3x3 filters or $40 for 6x6 filters, less than I paid for my fresh set of Ilford MG filters when I discovered my old ones were faded:

    http://www.freestylephoto.biz/31633-...ers-3x3-in.-22

    http://www.freestylephoto.biz/31636-...ers-6x6-in.-22

    Again, I have made MANY color prints with such filters. It works fine. It's not quite as quick and convenient as a color head but it is far, far from a PITA. The only reason I'd even want a color head is for the diffusion light source. The extra convenience of dial in filtration is a very minor point. Really.

    The chemicals do cost more in initial investment if bought in other than the smallest kits, and the smallest kits are quite expensive per print compared to the larger ones. So there is some investment there, but you could easily spend as much or more on a box of 16x20 black and white paper.

    3. The technology may be simpler than black and white but the process is NOT. Black and white has far more latitude, so in that sense it is easier but it is not simpler. Black and white has two main steps (develop and fix) plus an optional stop bath or water rinse plus a wash. RA4 has develop and bleach-fix plus, well, an optional but highly recommended stop bath and wash. Wash aids are used with B&W fiber paper, not with RA4. Many of us routinely tone our black and white prints, not color. There's a good case to be made for RA4 being the simpler (but not easier) process. Of course learning to judge color and adjust filtration can be frustrating at first, but it isn't complex, nor really difficult, just takes some time to develop like most skills.

    4. This is true, but I've no idea what it has to do with the balance of black and white versus color.

    I think the fact that black and white has such tremendous range of ways you can vary and control the process is a very big part of the reason. The fact that a black and white image is more of an abstraction than is a realistic looking color image is part of the appeal as well.

  10. #40

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    The answer is simple. Color is so simple that it needs not be discussed. 'nuff said.

    Really, I don't shoot bw because it's too complicated and the colors aren't vivid enough for me. But the color process (RA-4 especially) is so simple that even someone doing it for the second time can handle it without any help. When doing RA-4 color prints I never worry about the temperature of the chemicals (Kodak chemicals work in room temperature), I process in trays and I have never done it in complete darkness -- dim yellow LEDs light the darkroom I use.

    Now then, there could be more discussions about more advanced color techniques (such as masking) but I guess people are either too pro to need to discuss them or too beginner to even know about them... which seems, to be honest, to be true about many things concerning darkroom color work, if judged by the amount of myths surrounding it being repeated even in this thread.

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