After Lee and Les' darkroom seminar, I got interested in gold toning. I am heading for subtle blue toning in the highlights, not the overall brown tones. Ilford Warmtone paper. There are several gold toners available or formulas to make them. There is also the issue of longevity of the solutions and the smelliness.
What variety of toner puts what tonality in the print? What are the issues of chemical longevity of mixed or unmixed solutions? Smelliness?
Basically I am looking for a mind dump of gold toning experiences.....