I used plus-x in the 1960's, developed in Rodinal, and was shooting with an uncoated Zeiss Sonnar on a Contax II. Printed one of those negatives a few months back. There is a quality about that image that would be very hard if even possible to achieve now. I wonder how the film has changed. Anybody know?
Besides the great scale, the grain was really beautiful. And, coated or not, that Sonnar is hard to beat. Using Rodinal, which gives an emphasis to the linear elements and value boundaries, the quality of the glass actually is visible to the eye. I loved it. Maybe I'd better buy some!
One thing that MAY keep plus x in production is the fact that it is also a movie film. Whether the movie film is the same as the camera film is another question, but Kodak calls 'em both Plus X. The movie film version is available in short rolls from Film Emporium. Of course, movie films don't come with numbered frames, which is a pain. In the movie roll ends, it is very inexpensive, something like 18 cents/ft. I've been using the Double X, which I like very much. It has a bit more pronounced grain than Plus X. |