I've read so many books on developing!!! I have 4. I just need to get into it. I've just placed an order so I should be able to start developing in 2 - 3 weeks (as a few of the items were on backorder but expected). That should give me enough time to finish off what I need for my improvised darkroom. I just recieved the neg holder for my enlarger but it was the wrong one. I kept it cause you never know! It is a 2 1/4 x 2 1/4 holder. What is that for? I'll check out the used camera place for the neg holder and the rest of the stuff I need. Thanks for all the great advice.
First you need a few things, check your local library to see if they have any books on film developing, many do, and most books will assume B&W. Next you need a developer and fixer. Best is to start with Kodak D76 or Ilford ID-11 (they are really the same developer, kind of the standard). Any rapid fixer the shop has will do, you need some bottles, if your developer is a 1L package then you need a 1L bottle, if it's a one gallon package then you should have 4 1L bottles, they should be brown glass bottles, with metal caps, caps should have a waxed liner. You should have a couple of graduated cylinders at least 1 that is 25ml marked in 1ml increments and one that is 500ml marked in 10ml increments. You should also have some distilled water and a thermometer.
Originally Posted by lorirfrommontana
A book will tell you all the bits and pieces you need, but I will recommend a few things:
1) Use metric in the darkroom, because a millilitre (milli is thousand and indicates 1/1000th litre), is very small you always work in full units, this is easier then trying to figure out parts of ounces. If using a developer like Rodinal that is 1+50 if you need 500ml it's easier to figure out, then if trying to figure out 1/50th of 16 ounces.
2) For developer always use brown glass bottles with tight fitting metal caps, a bottle isn't full if you tip it over while capped and see an air bubble. If your volume of liquid is less then the bottle holds, then use marbles or glass beads to make up the difference.
3) Habit helps, I always set the chemicals in the same order, to the right of my tank is the developer, next to that is stop bath, next to that is fixer, all are mixed and pre-measured in kitchen type plastic cups (these are kept with the darkroom stuff, they are NEVER to be used in the kitchen, different colours are a good idea). When I pour in the developer, I move the cup far to the left side and when I am done, i pour it back into the cup and pour in the stop. I use a water stop, but put it in a cup anyway, this way I don't forget it. Again I shift the cup over to the left, and then pour it back into the cup, and pour in the fixer. After the fixer I remove the lid and pour it back into it's cup.
4) If you have a low volume, use one shot, that is use the smallest dilution and toss them when done. If you do a lot of film processing then a replenishment system is more economical and has real advantages. The ideal is to have predictable results.
5) Never go into the darkroom when your over tired, and always clean up and put things away when your done. A lot of people will start cleaning up while later steps are still happening.
6) If there are small children or pets in the house, keep all chemicals and chemical handling equipment under lock and key and keep the key out of reach. If your darkroom has a lock on the door, still keep chemicals in a locked cabinet.
7) have fun.
See my Blog at http://clickandspin.blogspot.com
The greatest advance in photography in the last 100 years is not digital, it's odourless stop bath....
The filters that you mentioned are for color printing. You will need a set for VC printing. Instead of saying Cyan, Magenta and Yellow they will be numbered 0..or 00 thru 5 in 1/2 number steps. The Ilford Multigrade or Kodak polymax filters both nake good choices. The filter come in sets for below the lens use...these are fairly small and in rigid frames...or above the lens...these are cut acetate filters that are not in a frame and a larger size. I would, were I you, try to obtain an owners manual for the Besler for it will make sensible recommendations. A filter size of about 3x3 inches for above the lens use should be adequate but whatever size will fit your filter drawer well will be the nicest to use. For myself, I believe in buying larger filters if they are available at a good price say 6x6 filters and to use a paper cutter and to cut them into 4 sets of 3x3 filters. I doubt that you are as clumsy as am I, who has ruined many items, but it is nice to have additional sets. One very good piece of advice would be to have 2 spare bulbs for your enlarger. The damned things have a habit of failing at the worst time and they are harder to get all the time.
Good enlarging lenses have never during my life been so inexpensively available...what bargains! GET A FIRST CLASS LENS. IT WILL BE YOUR MOST IMPORTANT LENS. The enlarging lens affects all of your prints. I would very strongly advise either a Schneider,Rodenstock or Nikon lens that is of a PROFESSIONAL grade...It should say either "Componon s" or "Apo-Componon" for Schneider, "Rodagon" or "Apo Rodagon" for Rodenstock or El Nikkor" for Nikon. These should be six element lenses. 50mm is for 35mm film, 80mm or 105mm is for 120 roll film...21/4 width.
If buying the lens used try to get the priviledge of a test period to know the lens is not defective.
Enough for now.
Claire (Ms Anne Thrope is in the darkroom)