As usual I get much better results from the reversal process than from the normal one (negative).
The grain is much finer, the tonality is wonderful (for a 35mm frame) and scanning is easier (although it doesn't make justice to it).
The procedure seems to be the SAME irrespective of the emulsion type: that is 12min in D-19 + 2g hypo per 250ml, @18°C. The remaining steps are the same (the second developer type must be any strong developer you have handy - this time I deviated from plain D-19 and used Rodinal).
I get little emulsion damage near sprocket holes with Efke film and permanganate bleach but I suspect it's due to friction inside the camera or possibly a film defect.
Here's the examples:
2) http://www.flickr.com/photos/37785580@N03/3498526424/ This one is underexposed