I really miss ______ film

[2F/2F]

I really miss 320T more than any other film. Everything I used to shoot on this, I now have to shoot on digital if I want the pix to be in color. I usually opt for b/w film instead.

I will miss Fuji T64 terribly. I wish I had the dough to buy many, many cases of it in all formats. My replacement is probably going to be uprated Astia with the proper filtration (or using flash instead of hot lights).

Portra 100T was a horrendous loss in my book. I have six 120 pro packs stockpiled, and ten sheets of 8x10.

After that probably EPN (and now EPP), and E100SW. EPN filtered would have been my T64 replacement if it was still around.

[rthomas]

I miss Tech Pan.

Plus-X and Pan-F are still around though. I'm about to stock up on those two.

[Michael W]

Most of the Polaroid stuff like 55, 665, Polachrome.
Also Scotch 1,000 and Agfachrome 1,000
Kodachrome 200
Forte 400

[PKM-25]

The way the world was before digital and the internet...

[Andrew O'Neill]

Kodak 4x5 infra-red and Forte Polygrade V.

[Vaughn]

Pan-X in 120, but really miss Kodak copy film.

[Ektagraphic]

Polaroid
Kodachrome (Being able to freely use it knowing that you can go buy it at Freestyle)
EPP (Ektachrome 100 Plus)

[David A. Goldfarb]

I really miss 320T more than any other film. Everything I used to shoot on this, I now have to shoot on digital if I want the pix to be in color. I usually opt for b/w film instead.

E320T was a really interesting film that I only discovered toward the end of it's existence. I was doing some traveling and decided to bring a Voigtländer Vitessa-L with a 50/2 Ultron loaded with 320T for indoor and night shots and a Bessa II with a 105/3.5 Color-Heliar and I think Fuji MS100/1000 for daylight, and I really liked the look of the 320T shots. In general I don't shoot a lot of color, but I was revisiting a place that I'd photographed before in color and wanted some continuity with the earlier work. Later I tried it filtered back to daylight and I thought it had a really cinematic palette.

[MattKing]

I was talking to my father yesterday, who has been retired from Kodak for about 25 years. He was telling me that it really wasn't part of his job, but he used to like to go into the lab and look at the hundreds (maybe thousands) of Kodachrome and Ektachrome slides and movies as they came out of the processor take offs. There would be thousands of colourful images, often from all parts of the world, and it used to inspire him.

I think he missed that.

Matt

[Wrobel Photographic]

Polaroid Type 55