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  1. #91
    Brian C. Miller's Avatar
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    Dec 2010
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    Ilford SFX, and Kodak Portra 160.

  2. #92
    Marc Akemann's Avatar
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    Jan 2005
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    Ann Arbor area, Michigan
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    Ilford SFX (w/ B+W 092).

  3. #93

    Join Date
    Mar 2012
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    Half Moon Bay, CA
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    Tmax 100 and Delta 3200

  4. #94
    Ken Nadvornick's Avatar
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    Mar 2005
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    Monroe, WA, USA
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    Ilford FP4+ 120 (as 6x7) and 8x10.

    Used plain old box speed for the 8x10, metered with a 30+ year old Sekonic L398 Studio Deluxe selenium incident, and developed per Ilford's recommended time/temp/agitation. The negatives came out perfect. Gotta' love Ilford.

    Ken
    "There is very limited audience for the arty stuff, and it is largely comprised of other arty types, most of whom have no money to spend because no one is buying their stuff either. More people bring their emotions to an image than bring their intellect. The former are the folks who have checkbooks because they are engineers, accountants, and bankers—and generally they are engineers, accountants and bankers because they are not artists."

    — Amanda Tomlin, Looking Glass Magazine, 2014

  5. #95

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    Aug 2006
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    Kodak HIE

    I just developed my final roll of Kodak HIE, bought for a quid in Jessops in 2010, frozen for a year, thawed out when my freezer died and then refrigerated for a year, then spent a fortnight in my warm darkroom. I photographed buildings in my home town with my Yashica 635 in June/July 2012 using the panoramic setting. This was only the fourth time I've tried HIE. I exposed it through an orange filter and a meter set at EI100. The resulting negatives have a good dynamic range and most are acceptable, and I'm looking forward to printing them. That should give hope to those with some HIE still frozen - it's not as delicate as we thought.

    I'm disappointed as there's a tramline right down the filmstrip! So I might have to turn to the dark side. Oh well, I'll try another roll.... oh wait I can't - Mama took my HIE away!

    Cheers,
    kevs
    testing...

  6. #96

    Join Date
    Sep 2010
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    Switzerland
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    I don't know what film I shot. I was stupid enough to load something in my RB67 back and then forget what it was again. I've exposed some frames at ISO 100, I hope it's Reala.

    I also have 10 rolls of Tri-X in 35mm waiting to be developed.
    And the sign said, "long haired freaky people need not apply"

  7. #97
    benjiboy's Avatar
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    I'm shooting some 120 Kodak Portra 400 in one of my Mamiyas.
    Ben

  8. #98
    ArtO's Avatar
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    Kodak Gold 200 in a newish FM2N

    BW400CN in a nice Nikkormat FTN that I just purchased here. No results yet.
    ------------------------------------------------------------
    Art

  9. #99

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    Provia 100F. Here are two long exposure shots (8 seconds or so on a Mamiya RZ) recently taken and developed:


    San Francisco at Twilight by Thomas N. Abbott, on Flickr


    Oakland Bay Bridge at Twilight by Thomas N. Abbott, on Flickr

  10. #100
    Philippe-Georges's Avatar
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    Apr 2005
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    Flanders Fields
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    Tri-X 12O and ADOX CHS 100 ART 4"x5", both processed in Pyro-HD, FORMIDABLE!
    "...If you can not stand the rustle of the leafs, then do not go in to the woods..."
    (freely translated quote by Guido Gezelle)

    PS: English is only my third language, please do forgive me my sloppy grammar...



 

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