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  1. #101

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    Mar 2012
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    TMY 135, processed in HC-110

  2. #102
    TheFlyingCamera's Avatar
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    About to put a roll of Portra 160NC through my newly-returned Rolleiflex 2.8E. I keep forgetting how compact a camera it is until I see it next to something else.

  3. #103
    D1v1d's Avatar
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    May 2010
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    Kodak Portra 160, Fuji Acros 100, Kodak Ektar, Kodak 400TX
    David Smith
    London, UK
    email: dasmith.uk@gmail.com
    Flickr: D1v1d
    Twitter: D1v1d

  4. #104
    benjiboy's Avatar
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    35mm Kodak Portra 400 VC in my Canon EF.
    Ben

  5. #105
    RattyMouse's Avatar
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    Quote Originally Posted by benjiboy View Post
    35mm Kodak Portra 400 VC in my Canon EF.
    Today I shot 1 roll of Reala (120) and 3 rolls of Neopan Across. Stopped by the store on the way home from this outing and bought another 15 rolls of Acros and one roll of Provia.

  6. #106

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    My last VNF-1 Ektachrome super-8 roll and hand developed - http://www.youtube.com/watch?v=arL0WwZNM3w

    1 Roll of Ilford Delta 100, and 1 Agfa APX 100

    30/08/2012

  7. #107

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    Apr 2012
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    Tampere, Finland
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    35mm Portra 400, Ektar, Fuji Sensia 100, Fuji Superia XTra 400 and in 120 Fuji Pro 400H

  8. #108
    pixmedic's Avatar
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    Sep 2012
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    recently...
    Kodak Gold 110 iso 200 for my Pentax auto 110 Super
    libera te tutemet ex inferis

  9. #109
    Ken Nadvornick's Avatar
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    Mar 2005
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    Monroe, WA, USA
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    Ten rolls of mixed 120 Ilford FP4+ and HP5+. Wonderful stuff.

    All of the processing stars (variables) must be coincidently aligned in my darkroom because I get absolutely gorgeous b&w negatives by exposing at Ilford's box speed and developing at the Ilford-recommended time/temp/agitation. Being able to leverage Iford's testing in this way is incredibly convenient as the recommended time for both of the above in D-76 (1+1) is the same 11 minutes at 68F/20C.

    And the resulting negatives end up being quite beautiful objects in and of themselves. Heck, maybe I should simply frame those and be done with it??



    It also occurs to me that this would be an excellent thread for any post-Kodak film operation bidders to periodically check out. Especially if we could get everyone to detail their film usage here...

    Ken
    "There is very limited audience for the arty stuff, and it is largely comprised of other arty types, most of whom have no money to spend because no one is buying their stuff either. More people bring their emotions to an image than bring their intellect. The former are the folks who have checkbooks because they are engineers, accountants, and bankers—and generally they are engineers, accountants and bankers because they are not artists."

    — Amanda Tomlin, Looking Glass Magazine, 2014

  10. #110
    Pioneer's Avatar
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    Lots going on!

    Most recently I am shooting Ilford FP4+ 125 black and white, Efke KB25 (we all know where that is going), Kodak Gold 100 (although I will need to re-order some of this soon as I am down to my last 25 rolls.) These are my primary films right now.

    I am also experimenting with Ilford Delta Pro 3200 and Kodak P3200 black and white films as an alternative to my ISO 400 films. I wish this was available in bulk rolls. I'm not sure how this will work out but I am leaning towards Ilford's film right now since it is available in 120 and Kodak is not.

    Finally, I just loaded up a couple of rolls of Eastman Double-X 5222 cine film to experiment with in my Zeiss Ikon Contaflex.

    There is a birthday party coming up so I will likely shoot 5 or 6 rolls of Kodak Portra 400 120 along with a couple rolls of Delta Pro 3200 in my Pentax 645Nii, which is my main party camera.



 

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