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  1. #131

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    Just shot some Vision2 500T with an 85A filter at ISO 320 - it kind of reminds me of Portra 400. I am now trying out some EXR 50D.

  2. #132
    flatulent1's Avatar
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    Oct 2008
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    Seattle USA
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    Not sure what I shot last weekend, but I have a roll of E100GX loaded in the Yashica Mat and another loaded in the Pro TL for tomorrow morning, if the sun shines.
    Fred Latchaw
    Seattle WA


    Right now in Spain they're holding the Running of the Bulls,
    followed by the Soiling of the Pants, and the Burying of the Idiots.

  3. #133

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    Jul 2011
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    Just spent the better part of today wandering aimlessly around the city shooting the beginnings of our fall colours. As usual, for my medium format black and white work, the nod went to PanF Plus (five rolls, give or take, over the course of the day). In addition, I shot three rolls of FP4 Plus at different ISOs (64/80/100) to test with perceptol; I just picked 50 rolls of the emulsion and would like to settle on a standard for the film before I start shooting in the winter months, where I will likely use the film in place of PanF Plus.
    Tomorrow, in the early am, I will repeat the effort, but this time loading the A12s with E100VS.

  4. #134
    benjiboy's Avatar
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    135 Kodak Portra 400. in my Canon EF.
    Ben

  5. #135

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    Feb 2012
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    Germany
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    2x 120 rolls of Kodak Ektachrome 100
    2x 120 rolls of Fuji Velvia RVP50
    1x 120 roll of Fuji Velvia RVP100
    1x 120 roll of Fuji NS 160

    isn't autumn great :-)

  6. #136
    flatulent1's Avatar
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    I have some Portra 400VC loaded in three different 35mm cameras I've been working on for the last few weeks. Some E100GX in the TLR, some TMax 400 and some Delta 3200 in film backs for the Pro TL. I've seemingly shot some of everything this autumn, although that's been severely restricted since the rains have moved in. An awful lot of this won't get finished until after the first of the year, I think.
    Fred Latchaw
    Seattle WA


    Right now in Spain they're holding the Running of the Bulls,
    followed by the Soiling of the Pants, and the Burying of the Idiots.

  7. #137

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    Oct 2012
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    Italy
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    Kodak tmy 400-2 and Ilford Fp4.
    120 rolls.

  8. #138

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    Jul 2011
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    Burnaby, BC
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    Still enjoying the fall colours here - in between the frequent bouts of rain - so I have continued to shoot a bit of colour (E100VS) as the seasons change. Mostly, though, black and white seems to be the preferred choice at the present (FP4 Plus for landscape and fine art shooting with the Blads, Tri-X and HP5 with the Nikons and Leicas).

  9. #139
    Ken Nadvornick's Avatar
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    Mar 2005
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    Fujifilm Provia 100F 120 as 6x7.

    More fall colors, just a couple of hours drive south of BradleyK. Old blue Ford pickups under bright yellow trees. Foliage over wooden footbridges across creeks. Backlighted multicolored maple leaves. No great art here. Just unhurried and very relaxing afternoons. Provia as therapy.

    The rain IS an issue, as always. On the other hand, wet fall colors in the sun against dark threatening skies in the background are worth the wait. Even when it only lasts for five minutes.

    Ken
    Last edited by Ken Nadvornick; 10-30-2012 at 07:44 PM. Click to view previous post history. Reason: Wrong color, sir...
    "When making a portrait, my approach is quite the same as when I am portraying a rock. I do not wish to impose my personality upon the sitter, but, keeping myself open to receive reactions from his own special ego, record this with nothing added: except of course when I am working professionally, when money enters in,—then for a price, I become a liar..."

    — Edward Weston, Daybooks, Vol. II, February 2, 1932

  10. #140

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    Jul 2008
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    Velvia 50, EI40 in 35mm and as-is in 6x7
    ACROS 100 in 6x6/multiformat pinhole
    Provia 100.

    The rise of the Belt of Venus here in Australia (it's Spring! It's warm and hot!) is just the thing for Vaudeville Velvia. The pink-blue-layered effect is stunning in MF RVP. I'm swamped at the lightbox, spoilt for choice.



 

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