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  1. #221
    abeku's Avatar
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    FP4+ in my Pentax 67 and MX. Pan F in the Flexaret. Kentmere 400 in various toycameras.
    - You will develop when you become an analog photographer / Exposed Material / Monochromes

  2. #222
    abeku's Avatar
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    Quote Originally Posted by pdeeh View Post
    Lucky 100 in mju-1.
    it's terrible terrible film.
    ...but it can be just right sometimes! I love the glow of the highlights you get with SHD100. My favourite was the SHD400, it was... creative!
    - You will develop when you become an analog photographer / Exposed Material / Monochromes

  3. #223
    John_Nikon_F's Avatar
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    At the moment, the F3P is empty, the F2AS has Ektar 100 in it, as does the F4s, and the F has an expired roll of 1st generation Velvia that was frozen until a few weeks ago.

    -J
    APUG: F4, F2AS, F, Nikomat FTn
    DPUG: D200
    Nikkors: 18-70/3.5-4.5G AF-S DX (f/D200), 24/2.8 AI, 50/1.4 AI, 85/1.8 K, 180/2.8 ED AIS, 300/4.5 ED AI

    My FB - My flickr stream
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  4. #224

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    Quote Originally Posted by abeku View Post
    ...but it can be just right sometimes!
    oh no problems with the way it receives and retains light, but the batch I'm using at the moment come out of the canister looking like a heavily used ice rink

  5. #225
    benjiboy's Avatar
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    I'm shooting Fuji Velvia 100 in a new Canon F1
    Ben

  6. #226
    verian's Avatar
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    Rollei Retro 400s in a Rolleiflex 3.5E. I like it.

  7. #227
    TheFlyingCamera's Avatar
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    Konica IR in a Rolleiflex. With a Hoya RM72 filter - worked out pretty good despite the film being 15+/- years out of date.

  8. #228
    Truzi's Avatar
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    Ilford FP4+ in 35mm, attempting to learn how to frame my shots better and to learn how to use contrast filters.
    Truzi

  9. #229
    David Brown's Avatar
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    What films did you shoot most recently?

    Many of them. I've been experimenting some after getting some really beautiful negatives a few years ago on t-grained films. Also, using different films and developer combos. I had all but given up 35mm for 120, but I have an overseas trip coming up, specifically to photograph! So, I'll take my little Fuji 645, but I also got out the 35mm gear for portability and weight. I really wanted to settle on one film to further simplify things.

    Anyway, long story short: the winner turned out to be Tri-X and D76. (with a little Delta 100 along, too)

  10. #230

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    Well...it is "winter" here on the Left Coast, and although the rainy season has yet to return in its usual form (the sun has actually put in a few appearances here and there), I have more-or-less switched exclusively to black and white mode for the next couple of months . So, while I have been shooting a bit of FP4+ with the Hasselblads, most days it is the F4s (still trying to establish a relationship with the camera - two attempts to give it away fell flat) loaded with HP5+/Tri-X. Now to convince myself to start tackling the backlog of film in the freezer that needs to be processed; perhaps a few weeks of unrelenting rain will be needed to keep me housebound on the weekends...
    An assortment of F-series Nikons (F to F6, excluding the F4) with quite a few Nikkors, a pair of M6s with some Leitz glass, a pair of 500c/ms with a wide range of Zeiss optics and, just to help keep Duracell solvent, a D800.

    Favourite films: (1). KE ("Kodachrome Era"): 35mm: PKM25 and PKR64, HP5/Tri-X; 120: PKR64, PanF, FP4. (2). PKE ("Post-Kodachrome Era"): (a) 35mm: E100G, HP5 Plus/Tri-X and Delta 3200; (b) 120: E100G, PanF Plus, FP4 Plus, TMax 100.



 

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