I want to but I need to use what I've got for a while and at this rate it will be a long while...
( and I do have 30 rolls of 120 Plus-X hidden away )
I would shoot 20 rolls if Plus-X plus kill the FOMA then get FP4+ and mix and match the two till you can get what you want out of the FP4+ since that way you can shoot the same scene with both films and compare and adjust Dev / exposure if needed. But don't let that Plus-X sit too long, it's already fairly old
I've been everywhere ooooohhh yeaahhhh still I'm standing tall.
Foma responds very well to tanning/staining and 2 bath development-ADOX CHS 100 is fantastic though, unless Verichrome Pan[RIP] rises from the grave some time soon..
"He took to writing poetry and visiting the elves: and though many shook their heads and touched their foreheads and said 'Poor old Baggins!' and though few believed any of his tales, he remained very happy till the end of his days, and those were extraordinarily long "- JRR Tolkien, ' The Hobbit '.
I got a box of Foma100 in 4x5 the other day, just to try it out. I've also scored some boxes of 4x5 Plus-X Pan that I'm hanging out to try too.
But none of that today, I'm off to Canberra for a few days tonight, packing:
Mamiya 645AF, P67 45/4, 80/1.9N, trying Ektar100 for the first time. (along with Delta3200 for indoor pub shots, Efke25 and PanF50 for outdoors, and some Velvia50 for the hell of it)
Bessa L with 21/4, also trying Ektar 100 for the first time in 135-size (and more rolls of Velvia).
Bessa R3A with 40/1.4 Nokton and 90/3.5 ApoLanthar, and a few rolls of Tri-X 400.
Mostly I'm interested in comparing the Ektar and Velvia, although it won't be completely side-by-side, it should give me a nice indication of what Ektar is capable of...
An awful lot of electrons were terribly inconvenienced in the making of this post.