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  1. #401
    Regular Rod's Avatar
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    HP5 Plus at night

    RR

  2. #402
    Regular Rod's Avatar
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    Quote Originally Posted by irvd2x View Post
    Processed some Fuji neg film, 100asa shot with my Olympus Trip 35.Last year,South Texas

    Sent from my ALCATEL ONE TOUCH 5020T using Tapatalk
    Lovely mellow mistiness with realistic colour rendition, it's a beauty and worth printing BIG to go on a wall...

    RR

  3. #403
    StoneNYC's Avatar
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    Quote Originally Posted by irvd2x View Post
    Processed some Fuji neg film, 100asa shot with my Olympus Trip 35.Last year,South Texas

    Sent from my ALCATEL ONE TOUCH 5020T using Tapatalk
    Oh I like it
    ~Stone | "...of course, that's just my opinion. I could be wrong." ~Dennis Miller

  4. #404
    Kyle M.'s Avatar
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    In 120 some T-MAX 100
    In 35mm Tri-X, Plus-X, and a roll of Eastman Double-X 5222.
    Yashica-Mat, Yashinon 80mm F=3.5
    Gossen Luna Pro F

  5. #405
    ericdan's Avatar
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    Just got six 5-packs of Provia 400X!
    Also Tri-X 400 when doing B&W work.

  6. #406
    irvd2x's Avatar
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    Thanks Rod!

    Sent from my ALCATEL ONE TOUCH 5020T using Tapatalk

  7. #407

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    Fuji Acros 100 in 35mm. I love it.

  8. #408
    TheFlyingCamera's Avatar
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    I've got a half-dozen rolls of FP4+ in 120 loaded up into my Jobo to run tonight when I get home from work - they're an accumulation from the past several months. The very most recent was a roll of 120 Tri-X 400, and a pair of outdated (but surprisingly functional) Polaroid Type 79 sheet film prints in my Intro to Large Format class. The Type 79 is surprisingly viable considering it is almost a decade out-of-date. Color is not terribly consistent or reliable, but the chemical pods broke as expected and coated the film evenly.

  9. #409

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    I shoot my much loved stock of Technical Pan and Illford Pan F

  10. #410

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    Hi everyone! Long time lurker, infrequent poster here. Had a great experience recently that fits this discussion well. I recently bit the bullet and bought the Nikon F6 with the 70-300 and 500 mm lenses. Shot my first roll of Ektachrome 100G two weekends ago and just got the slides back. I bought a brick of the 100G before discontinuation and two bricks of 100VS. Now I wish I'd bought more 100G. The blues of the sky are amazing and the colors seem, well, "right" to my amateur eyes. I think I like the 100G better than the 100VS.

    Slightly off topic, but would any of our more well learned members possibly have a recommendation as to currently produced films that have a similar appearance? I like Ektar 100, and I might be wrong, but it seems slightly more saturated than 100G and slightly less saturated than 100VS. I wish I could compare it to the mythical Ektar 25, but I never got to use that film. I do have a couple of cold stored Ektar 1000 rolls but haven't found a use for them yet.

    Anyway, thanks again for letting me be a part of the forum!

    John



 

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