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  1. #681
    polyglot's Avatar
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    4x5 CHS100. And the usual background piles of 120 Acros, TMY2, Portra160 & Reala running through my RZ. Ran 10 rolls and 10 sheets of B&W through the Jobo last night.

  2. #682
    Truzi's Avatar
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    Some Fuji 200 and Kodak Gold 200 on another day-trip to Put-In-Bay.
    Truzi

  3. #683
    StoneNYC's Avatar
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    1 120 Neopan400@800 nude model
    ~Stone | "...of course, that's just my opinion. I could be wrong." ~Dennis Miller

  4. #684
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    Any scans to show?

  5. #685
    StoneNYC's Avatar
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    Quote Originally Posted by ericdan View Post
    Any scans to show?
    I'm still traveling, nothing is developed, hoping border patrol doesn't destroy them when I get to the US!
    ~Stone | "...of course, that's just my opinion. I could be wrong." ~Dennis Miller

  6. #686
    Regular Rod's Avatar
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    One more sheet of FOMAPAN 100 today, standing in the middle of the river Wye in Miller's Dale...

    RR

  7. #687
    MattKing's Avatar
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    Quote Originally Posted by StoneNYC View Post
    I'm still traveling, nothing is developed, hoping border patrol doesn't destroy them when I get to the US!
    Hope you have proof of DOB for your nude models
    Matt

    “Photography is a complex and fluid medium, and its many factors are not applied in simple sequence. Rather, the process may be likened to the art of the juggler in keeping many balls in the air at one time!”

    Ansel Adams, from the introduction to The Negative - The New Ansel Adams Photography Series / Book 2

  8. #688
    StoneNYC's Avatar
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    What films did you shoot most recently? (Part 2)

    Quote Originally Posted by MattKing View Post
    Hope you have proof of DOB for your nude models
    I have a model release at least and they were all older than 19 so I'm good. And the release states they agree that the release laws pertain to the USA, or rather that even if they are from somewhere else or taken somewhere else US law prevails. It's basically the standard Getty release with some personal modifiers.

    Edit: BUT much of the work was digital, only a few frames were film, it was a crappy light situation mostly lol.
    Last edited by StoneNYC; 08-08-2014 at 07:44 PM. Click to view previous post history. Reason: digi-crap
    ~Stone | "...of course, that's just my opinion. I could be wrong." ~Dennis Miller

  9. #689
    polyglot's Avatar
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    A wander around the markets with a couple rolls of 400VC in the C220. And some Neopan 400, but still 1/3 of that roll left.

  10. #690

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    A couple of rolls of PanF Plus and a roll and a bit of E100G in the 500c/m (landscapes/nature) and a part roll of Tri-X in the M6 (a parade of tourists, the majority holding iPads to their faces, recording the vista at Lake Louise...too obvious to resist lol).
    An assortment of F-series Nikons (F to F6, excluding the F4) with quite a few Nikkors, a pair of M6s with some Leitz glass, a pair of 500c/ms with a wide range of Zeiss optics and, just to help keep Duracell solvent, a D800.

    Favourite films: (1). KE ("Kodachrome Era"): 35mm: PKM25 and PKR64, HP5/Tri-X; 120: PKR64, PanF, FP4. (2). PKE ("Post-Kodachrome Era"): (a) 35mm: E100G, HP5 Plus/Tri-X and Delta 3200; (b) 120: E100G, PanF Plus, FP4 Plus, TMax 100.



 

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