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  1. #31
    heterolysis's Avatar
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    Looking at my negatives, the Profoto rebate actually says KODAK PROFOTO XL 100. It for sure is not just rebranded Gold, though the emulsion could very well be similar as Kodak says.

  2. #32

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    Quote Originally Posted by newcan1 View Post
    Profoto and Gold are not the same. Profoto (aka ProImage) has slightly less contrast and saturation. I believe it is sold as a professional film in certain regions of the world.

    I have found that its tonality and contrast are similar to Portra 160, but it has larger grain. I have used it quite a lot, and for a film of that price level, I like it a lot. I also have a lot in my freezer; at least 200 rolls.
    Kodak ProImage 100 was/maybe still is a pro film, 35mm only, that was sold in 5 packs and did not require refrigeration. When I used it (late 90s - early 2000s) it was made in Kodak's new Chinese factory (I assume that factory has now gone the way of all the others). It was cheaper and aimed at volume photographers eg schools, grads etc. It was a very good film for its purpose and also had the bonus that it would print on the analogue minilabs of the day using the same channel as the Gold films. I have no idea if it was essentially the same as Gold 100 as that is a film I never used but given that Kodak manufactured the same consumer films in a number of different factories ProImage could well have been rebadged Chinese Gold. OzJohn

  3. #33
    bvy
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    This is a follow up to my original post. I shot and processed a roll of Kodak Profoto XL 100, and I'm deciding that, for the price, I like it. I'm most of the way through a second roll.

    Without any correction, it scans with a greenish-yellow cast as someone here suggested. To compare, Superia and Portra scan with the color very close to what it should be, if not dead on. I knew better than to draw conclusions about the film itself based on this, so I picked a few frames and headed to the darkroom.

    My enlargements are shown below. I scanned each print with no color correction, so as to eliminate processing variables; I think the prints "pop" a little bit more when seen in person. I've also included a screenshot of the scans so you can see what I mean about how the negatives scan.

    Film: Kodak Profoto XL 100
    Camera: Olympus XA2 (exposed at box speed)
    Film Developer: Kodak Flexicolor
    Paper: Fuji Crystal Archive Type II Lustre
    Paper Developer: Kodak Ektacolor
    Print Scanner: Epson V500 with 'No Color Correction' set.

    Click image for larger version. 

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    Click image for larger version. 

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  4. #34
    Paul Glover's Avatar
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    Tried a roll recently and it seems quite good for the price. My scans had a slight magenta cast but I forgot to shoot a "calibration" frame in normal sunlight with a gray card, and my scanning software was being terribly uncooperative too (probably intimidated by the enlarger ;-) ). I plan to try some more of it.

  5. #35
    benjiboy's Avatar
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    Ordered Kodak Gold 100, got Profoto XL 100 (?!)
    So what, I married Cinderella, and she turned into one of the ugly sisters
    Ben

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