Great to see this and stunning, as Mosse's Congo DR EIR/Aerochrome work always has been.
I wonder how they shot the movie - was it really cinema film camera running Kodak Aerochrome or was it simulated on digital? Looks very real and if it was proper cinema positive film running real Aerochrome then it's all hats off from me. These guys must have true passion along with a helluva budget! The best combination a to bring a true art into form of force