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  1. #11

    Join Date
    Mar 2006
    Location
    St. Louis, MO USA
    Shooter
    35mm RF
    Posts
    15
    Quote Originally Posted by htmlguru4242
    Hmm ... I posted this last night, but it's not here ...

    So, has anyone used Fujicolor 1600? If so, how are the results? I'm going to be doing some indoor low-light stuff.
    Superia 1600 can be a life saver. I consider it to be a special purpose film.

    You can see some examples here:

    http://web.mac.com/william_c_hutton_...ar%20Band.html

    and

    http://web.mac.com/william_c_hutton_...ky%20Fest.html

    The color fidelity is pretty good. Some of the Lebowsky photos look really red and it turns out this venue has low-level red-cast lighting.

    Indoors it is essential to meter for the shadows to avoid grain. Fearlessly and relentlessly use whatever method you prefer to minimized under exposed walls, shadows etc.

    I found this film scans well.

    willie

  2. #12

    Join Date
    May 2005
    Location
    Daventry, Northamptonshire, England
    Shooter
    35mm
    Posts
    7,046
    dmr. Only you know what colour the brickwork outside the shop was and how it looked at that time of night. It looks as if the second pic is more accurate if you consider the brick to have an intrinsic natural colour but for a twilight tungsten lit scene the first looks more natural IMHO.

    pentaxuser

  3. #13
    htmlguru4242's Avatar
    Join Date
    Aug 2005
    Location
    Sandy Hook, CT
    Shooter
    Multi Format
    Posts
    973
    Good to know. I now have a roll of it and I'm going to try it out this weekend. I'm assuminng that it's actually native ISO 1600? (If it was, that probably makes it the fastest film out there, right?)

    And just as a question, how's the exposure latitude, could I got to ISO 3200 if need be. or would it require a processing change?

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