Quote Originally Posted by Photo Engineer View Post

Good point. I assumed he would use a filter for the film. Without a filter, the cross process of mismatched color will emphasize any contrast and crossover problems.

Agreed, I've seen some fun stuff with using tungsten film under daylight without a filter so that's why I was thinking he might be going that way, or at least might not have considered it. Between that and possible colour casts from the cross-processing there should be a lot of potential for creative control by adjusting the filtration.

In terms of metering, I'd echo the comments about high contrast and be careful about shooting in brighter light, which already tends to get pretty contrasty with the snow being quite bright. But an overcast day or more muted lighting could be fun.