I feel bad for the digi guys (portra content)
If they gave up film and have never tried the new Portra line of films, I feel bad for them. I don't even really shoot color, but just got a roll of 160 back from Target of all places. Even with the crappy 1 hour lab scans, I'm blown away by this film and have been every time, no matter the flavor of Portra. I know when it comes time to rescan the keepers, I'll be able to milk so much more out of these shots. And I've not even tried the new stuff (is that available yet?)
All I have to say is, "Blown highlights? What are those?"
I'm ordering a pro pack of 160, 400, and 800 first thing in the morning.
Yes, Portra 400NC is very nice. I'm trying out Fuji 400H, however, to see which one of these films I'll settle down with: Fuji NPH having been my past staple.
I've been using both 400VC and 160NC, and they are outstanding. A couple of weeks ago I had to shoot some Fuji NPH. It was terrible by comparison. In fact, it was terrible even by comparison to modern digital shots. Aside from the great image, one of the real advantages of the Portras is the way they handle. Most of us need to scan color negatives from time to time, and the Portra films are much better behaved for that, both mechanically and optically, than the competition. A particularly nice feature of the new Portras is the base, which lies quite flat and which seems to shed dust rather than attracting it.
I've only just started playing with colour neg, but Portra VC is definitely on my keeper list.
That said, having only ever shot slides for colour before, I was surprised at just how much grainier negative film is; it definitely has a very different look. I certainly don't see myself stopping shooting slides - I've yet to see anything which compares to the jaw-dropping gorgeousness of E100VS in the projector or on the lightbox - but Portra is definitely my favourite for colour neg so far (I wasn't as impressed with the Fuji neg films I've tried to date.)
Another day goes under; a little bourbon will take the strain...
Isn't there some digital trick or Photoshop plug-in that lets you replicate the look of certain films? My favorite film, especially when shooting people, is Portra NC160. One of the nicest films that I've encountered.
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Originally Posted by elekm
O tempora, o mores!
Bosnia... You don't have to be crazy to live here, but it helps...
No things in life should be left unfinis
Even the original stuff scans well, so the new stuff should be really good.
I've been very happy with all the variants I've tried (I think I've used them all but the 800 ISO)
I've come to the conclusion that as long as Kodak make Portra, Fuji make Velvia and Neopan 400, and Ilford make everything else, I'll be happy...
elekm; I reviewed a film simulator plugin a while ago, and found that it's not really capable of simulating film accurately. Unsurprising really.
I think the best standpoint is to use digital for things it's good at, and likewise with film.
I like digital for sports and other stuff where there's a fast turnaround, but I prefer film for more considered stuff. I want to make the best of the strengths of both mediums.
Last edited by ben-s; 04-02-2008 at 06:55 AM. Click to view previous post history.
Reason: added comment
Lens caps and cable releases can become invisible at will. :D
What version of Portal 160 did you use, NC or VC?
"The secret to life is to keep your mind full and your bowels empty. Unfortunately, the converse is true for most people."
I prefer NC, but have used a couple rolls of VC, which is also quite nice. The roll I just got back was VC actually.
I scan color (gasp!) and NC has more range. It's always easy to boost saturation a tiny bit in photoshop, so...
Wicked traitor! We shall stone thee!
Originally Posted by elekm
But that speaks for the real advantage of color film: the contrast, saturation, and palette is chosen by some of the top experts in the field. With digital, you have to do that legwork yourself.
Using film since before it was hip.
"One of the most singular characters of the hyposulphites, is the property their solutions possess of dissolving muriate of silver and retaining it in considerable quantity in permanent solution" — Sir John Frederick William Herschel, "On the Hyposulphurous Acid and its Compounds." The Edinburgh Philosophical Journal
, Vol. 1 (8 Jan. 1819): 8-29. p. 11
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