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  1. #1

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    Nov 2008
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    Fine tuning with CP filters

    hi everybody!
    Yesterday I printed a black and white negative on a color paper (of course putting a piece of unexposed color negative under the black and white one). I wanted to establish the correct filtering in order to obtain a neuter picture. As a mask I used a piece of unexposed Kodak 160 NC film. Itís the color film I mostly use: so - I thought - the filtering I could easily find with a black and white picture, could be a good starting point when printing a color picture shot on 160 NC. Is that correct?

    I know that nowadays a lot of color enlargers are available at bargain prices. But I love my old black and white enlarger, and I use it with a set of CP filters. My set of filters covers the range: 2.5; 5; 10; 20; 30; 40 and 50 for each color.

    At the end of the process I found that the correct filtering was something between 50Y/42.5M (imperceptibly greenish) and 50Y/40M (imperceptibly magenta...). Iíd say, for example 50Y/41M, but I donít have a 1M filter...

    So, any suggestion? Can I find somewhere 1M and 1Y filters? Or.. ok, Iíll buy a color enlarger :P

    Thank you!
    Damiano
    www.damianofedeli.it/english
    _______
    "I am a man, and nothing human is alien to me" (Terence, Latin dramatist)

  2. #2
    Mike Wilde's Avatar
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    Aug 2006
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    If it doesn't melt, stick a 2.5 half way into the gate where the light goes into the diffusion box; if you are a condensor enlarger user, tape a stronger filter inside the lamp housing to change it from beint white to the colour shift you want to try.

    It woud seem a lot less work to print onto b&w paper, or even b&w RA-4 paper, if you can find any of the stuff. I have a remnant of a discontinued roll of RA-4 B&W Portra, but it is tinging toward magenta as if gets older.
    my real name, imagine that.



 

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