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  1. #21

    Join Date
    Aug 2007
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    FL, USA
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    Both condensor and dichroic mainly for 645 and 6x7.

  2. #22
    Mick Fagan's Avatar
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    Sep 2005
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    Melbourne Australia
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    Diffuser with a 4x5 DeVere colour head.

    Formats in descending order of film used are:- 35mm, 4x5" then 120 film.

    99% B&W these days and the rest colour negative

    Mick.

  3. #23

    Join Date
    Jan 2006
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    Thunder Bay, Ontario, Canada
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    Beseler 45 and 23 Condenser on both. Colour head on the 23 (you need the conical light integrator to use the condensers with the dichro head)
    Rick Jason.
    "I'm still developing"

  4. #24
    Bill Mobbs's Avatar
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    Mar 2005
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    Condenser. Both 135 & some 120 Format.
    "Nobody is perfect! But even among those that are perfect, some are more perfect than others." Walt Sewell 1947

  5. #25
    eli griggs's Avatar
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    Nov 2005
    Location
    NC
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    35mm RF
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    358
    I use both.

    First there's an Omega E6 with a Omega florescent circle-light and a Beseler 23c II with a dichro color-head. Condensers on an Omega Pro 66 I use mostly for 2╝ and a Valoy II for 35mm. Those are the two formats I'm shooting most of the time, with some 16mm and 4x5 from time to time.

    I prefer the condenser most often but that's because those are the type enlargers I first learned on and used most often, including for large format work, although I did choose a 23c II with color-head for my first new enlarger almost 30 years ago and it gave very good service, especially with Cibachrome, Ilford Gallery and the Kodak RC papers I used to print pictures of ballet dancers under both stage and natural light. Then I was shooting mostly people, now-a-days it's more likely a still-life or a building.

    Now I am enjoying trying out different enlargers with the several still new to me films and chemicals I'm using now.

  6. #26
    Nicholas Lindan's Avatar
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    Sep 2006
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    Cleveland, Ohio USA
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    Beseler & Leitz condenser heads.

    Note that the common 'condenser' enlargers as Durst, Beseler, Omega & Co. with their use of large opal bulbs are really semi-diffuse.
    DARKROOM AUTOMATION
    f-Stop Timers - Enlarging Meters
    http://www.darkroomautomation.com/da-main.htm

  7. #27

    Join Date
    Jun 2004
    Location
    Portland, OR
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    4x5 Format
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    Saunders 4500 color head for 4x5 and Beselar 67S with color head for 6x7 and 35mm.
    Kirk

    For up from the ashes, up from the ashes, grow the roses of success!

  8. #28
    Kevin Caulfield's Avatar
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    Aug 2004
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    Melbourne, Australia
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    Diffuser (LPL C7700MX).

  9. #29
    munz6869's Avatar
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    May 2004
    Location
    Hawthorn, Victoria, Australia!
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    Diffuser (homemade LED array on a Durst CE1000) for mostly 120 and 4x5", 35mm...

    Marc!

  10. #30

    Join Date
    Nov 2004
    Location
    Naestved, DK
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    2 diffussor
    Chromega II colorhead on my D3 for 6X9 (rarely) and 4X5" (hopefully a lot )
    Durst Autocolor 707 for 6X6 and 6X7
    1 condensor
    Meopta Axomat 35mm only

    One or two have to go though since my Darkroom has become a bit cramp already and I have to make room for a bigger work/wet table/bench and my CPE2+
    Best regards
    Send from my Electronic Data Management Device using TWOFingerTexting

    Technology distinquishable from magic is insufficiently developed

    S°ren Nielsen
    Denmark

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