Switch to English Language Passer en langue française Omschakelen naar Nederlandse Taal Wechseln Sie zu deutschen Sprache Passa alla lingua italiana
Members: 64,031   Posts: 1,346,364   Online: 793
      
Page 1 of 3 123 LastLast
Results 1 to 10 of 30

Thread: Liquid Light

  1. #1
    Ektagraphic's Avatar
    Join Date
    Feb 2009
    Location
    Southeastern Massachusetts
    Shooter
    Multi Format
    Posts
    2,599
    Images
    23

    Liquid Light

    I understand what liquid light is to print photos on diffrent surfaces, but how do you develop it?? If I put the liquid light on a rock and print on it, do I have to put the rock in a whole bucket of developer, stop and fixer?
    Helping to save analog photography one exposure at a time

  2. #2
    Christopher Walrath's Avatar
    Join Date
    Dec 2005
    Location
    Milton, DE, USA (way formerly Columbiana Co. OH)
    Shooter
    35mm
    Posts
    6,718
    Blog Entries
    27
    Images
    18
    Essentially, yes. Though I would make certain you have a container very similar in volume that is comparable to the size of your object. Whatever you expose the negative onto, you place in a container of the developer. then you move it to the first of two identical fixers which halts the developing action. Then move onto the second of the fixers for the fixing portion of the processing.
    Thank you.
    CW

  3. #3
    Ektagraphic's Avatar
    Join Date
    Feb 2009
    Location
    Southeastern Massachusetts
    Shooter
    Multi Format
    Posts
    2,599
    Images
    23
    Is it worth it? How is the quality of the image if it is put on a smooth surface such as wood? What happens with wood soaking up the developer?
    Helping to save analog photography one exposure at a time

  4. #4
    tiberiustibz's Avatar
    Join Date
    Oct 2007
    Location
    Tufts University
    Shooter
    35mm
    Posts
    1,750
    Images
    5
    You can sponge/brush the chemistry on. That's how large prints are usually processed.

    You have to wash your surfaces very well. It's most useful for T-shirts and stuff and strange textured papers. I don't believe it's very sharp though.

  5. #5
    Christopher Walrath's Avatar
    Join Date
    Dec 2005
    Location
    Milton, DE, USA (way formerly Columbiana Co. OH)
    Shooter
    35mm
    Posts
    6,718
    Blog Entries
    27
    Images
    18
    You could place some sort of substrate on the surface of the wood (clear stain perhaps or some such) and this would give a barrier between the porous surface of the wood and the moistness of the emulsion and chemistry.
    Thank you.
    CW

  6. #6
    jnanian's Avatar
    Join Date
    Jun 2003
    Location
    here
    Shooter
    Multi Format
    Posts
    13,796
    Blog Entries
    52
    Images
    370
    liquid light is like paper emulsion in a bottle ..
    if you can find the book "silver gelatin"
    it tells an awful lot about how to use it and make emulsions
    the book is out of print, but it can be found on amazon ...

    i have been coating glass with liquid light &C since about 1986 or 7 ... it is a lot of fun!
    once you start using bottled-stuff, be careful ... it is a slippery slope to making
    your own emulsions ...

    have fun!

    john
    Les chaussettes de l'archiduchesse sont-elles sèches? Archi-sèches!

    ••Silver Magnet's .. $$ from spent fixer*••
    ••website••
    ••blog••

    need some coffee? i might be able to help ...

  7. #7
    Christopher Walrath's Avatar
    Join Date
    Dec 2005
    Location
    Milton, DE, USA (way formerly Columbiana Co. OH)
    Shooter
    35mm
    Posts
    6,718
    Blog Entries
    27
    Images
    18
    There goes John, trolling for converts. (I think it might be working)
    Thank you.
    CW

  8. #8
    Photo Engineer's Avatar
    Join Date
    Apr 2005
    Location
    Rochester, NY
    Shooter
    Multi Format
    Posts
    21,708
    Images
    65
    I could troll for converts too.

    I know more about this than most. But, coating on other than flat surfaces introduces DOF problems that cause blurry images. A flat surface is best.

    PE

  9. #9
    Christopher Walrath's Avatar
    Join Date
    Dec 2005
    Location
    Milton, DE, USA (way formerly Columbiana Co. OH)
    Shooter
    35mm
    Posts
    6,718
    Blog Entries
    27
    Images
    18
    Yeah, the only way to pull it off would be to place the emulsion on as flat a surface as possible, raise the lamp housing as high as possible and still get the image and stop the enlarging lens all the way down to increase DOF. And even then . . .

    Good point, Ron.
    Thank you.
    CW

  10. #10
    gandolfi's Avatar
    Join Date
    Jan 2005
    Location
    Denmark
    Shooter
    Large Format Pan
    Posts
    1,685
    Images
    343
    I am not an expert, as I have only used LE for about 25years, but just to clarify:
    "Liquid Light" is a brand name (Rockland), not Liquid emulsion as such (correct me if I am wrong).

    I have used Liquid Light many years ago, and I found it besutiful, but very (to me) difficult to work with... (might just be me..)

    There are a lot of different brands out there - less expensive - with different "looks" - some very easy to work with - some not.

    but it IS an addictive road to follow! and YES: it IS worth it - and more...

Page 1 of 3 123 LastLast


 

APUG PARTNERS EQUALLY FUNDING OUR COMMUNITY:


 
                          

Contact Us  |  Support Us!  |  Advertise  |  Site Terms  |  Archive  —   Search  |  Mobile Device Access  |  RSS  |  Facebook  |  Linkedin