|
|
|
-
Comparon enlarger lens
I have been using an enlarger lens with these markings:
"Comparon 1:4.5/75 Schneider-Kreuznach"
Can anyone comment on this piece in term of quality? How does it compare to more better known lens such as Nikkor? I have made many prints but I don't have much of anything else to do a comparison myself.
Develop, stop, fix.... wait.... where's my film?
-
I believe its a four element low end Schneider. I have a Durst 1:4.5/75 Comprotar, that is a rebadged Comparon. Its a 25.0x0.5mm mount, glass is crystal clear. Only problem with mine is its missing all the iris blades. I've used it wide open, and its a nice lens, just wish I could stop it down. If the price is LOW its worth buying, unless you need a 39mm mount. The older Componons are much better, and I think as good as the Componon S(just up to 11x14). I have a 1:5.6/150 Componon that I love for 4x5. I also have a f4/80 Componon S that I have been considering letting go(if the price is right)of. Its a dandy performer, especially past 11x14.
Rick
-
Thanks Rick.
Currently, I don't print any larger than 8x10 and it seems to work ok. Only other 75mm I have is an El-Omegar f/3.5. Which one would you use??
Develop, stop, fix.... wait.... where's my film?
-
If I remember correctly, my El-Omegar 75 is a three element lens. I also have the Comparon and, IMO, it is the better lens.
-F.
 Originally Posted by tkamiya
Thanks Rick.
Currently, I don't print any larger than 8x10 and it seems to work ok. Only other 75mm I have is an El-Omegar f/3.5. Which one would you use??
-
The only real way is to make a print from each of the same negative, same size, exporsure, and compare with a magnifier glass. Otherwise, my guess would be the Comparon.
-
Sponsored Ad. (Subscribers to APUG have the option to remove this ad.)
-
I love the Comparon I have, if the iris was there I'd use it more. If yours is intact, I'd stick with that one. There isn't anything wrong with the El-Omegar, I have one as well. My most used is my Rodenstock 90/4.5 Omegaron.
-
Thank you, Frank, Fotch, and Rick.
Since you brought the topic up, I have a Q on Rodenstock Omegaron. I know Omegaron or anything from Omega or Bessler is an entry level lens to sell the enlarger. What about Rodenstock Omegaron?? Where does it stand in term of quality?
Develop, stop, fix.... wait.... where's my film?
-
 Originally Posted by tkamiya
Thank you, Frank, Fotch, and Rick.
Since you brought the topic up, I have a Q on Rodenstock Omegaron. I know Omegaron or anything from Omega or Bessler is an entry level lens to sell the enlarger. What about Rodenstock Omegaron?? Where does it stand in term of quality?
A Beseler Color Pro is actually an excellent lens - most likely a re-badged six element Schneider Componon.
The Omegaron is most likely a basic quality lens.
Matt
-
Going strictly from memory here but I believe the ---gar lenses are the three element bottom of the stack where the ----aron lenses are the Rodenstock 4 element middle quality offering. The Comparon is Schneider's answer to the Omegaron or vice versa.
 Originally Posted by tkamiya
Thank you, Frank, Fotch, and Rick.
Since you brought the topic up, I have a Q on Rodenstock Omegaron. I know Omegaron or anything from Omega or Bessler is an entry level lens to sell the enlarger. What about Rodenstock Omegaron?? Where does it stand in term of quality?
-
Oh, geez... I need a decoder ring and possibly a secret hand-shake to figure out this *garon, *gar, thing...
 Originally Posted by Fred Aspen
Going strictly from memory here but I believe the ---gar lenses are the three element bottom of the stack where the ----aron lenses are the Rodenstock 4 element middle quality offering. The Comparon is Schneider's answer to the Omegaron or vice versa.
Develop, stop, fix.... wait.... where's my film?
|
|