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  1. #41
    baachitraka's Avatar
    Join Date
    Apr 2011
    Location
    Bremen, Germany.
    Shooter
    Multi Format
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    1,392
    Focomat Ic and Durst M600
    OM-1n: Do I need to own a Leica?
    Rolleicord Va: Humble.
    Holga 120GFN: Amazingly simple yet it produces outstanding negatives to print.

  2. #42

    Join Date
    Nov 2005
    Shooter
    4x5 Format
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    20
    Images
    2
    LPL C7700 + Heiland Splitgrade

  3. #43

    Join Date
    Dec 2004
    Location
    Chicago, Western Suburbs
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    4x5 Format
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    1,438
    An Omega D5 with a Dichroic I head.

    Neal Wydra

  4. #44
    mr rusty's Avatar
    Join Date
    Sep 2009
    Location
    lancashire, UK
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    Medium Format
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    625
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    102
    Vivitar V1. Bit of an odd-ball but I love it - nice piece of kit. I have the dichroic head with the unique "light pipe" which means a totally cold light and glassless neg holders.

  5. #45

    Join Date
    Jun 2012
    Location
    Morganton, NC
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    172
    There has been a lot of variety on enlargers. I am famaliar with a lot of them but there are a few I haven't heard of. I was given an old Elwood. When I got it home, I couldn't get it in the darkroom. Had to scrap it.
    It felt like it weighed a ton.
    This post has been very informative on what is being used now.

    Thanks for all the post.

    Richard

  6. #46

    Join Date
    Jul 2006
    Location
    Oklahoma, USA
    Shooter
    Med. Format RF
    Posts
    680
    I enlarge with a LPL 670 condenser for medium format and 1c or Valoy 2 for small format. I have the dichro head for the 670 which I use for some negatives. I bought a Durst 601 thinking it would be easier to move when I switch to the Leitz enlarger for -135. I have limited space and can't install a two enlarger setup in the DR. I went back to using the 670 for MF mostly because I got to my final print faster using familiar equipment.

    I like condensers because I get a touch higher contrast in the shadows and the prints have more snap. I know the research will say you can't tell the difference between light sources if you adjust development.
    Last edited by Richard Jepsen; 06-22-2013 at 03:28 PM. Click to view previous post history.
    RJ

  7. #47
    stevebarry's Avatar
    Join Date
    Aug 2006
    Location
    lake worth FL
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    134
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    5
    Focomat V35 and Durst 184

    Sent from my SCH-I535 using Tapatalk 2
    steve barry
    my stuff

  8. #48
    bsdunek's Avatar
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    Jul 2006
    Location
    Michigan
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    194
    Durst 606 for 35mm & 6X6. Just change lenses and film stage. For my 6X7 & 6X9 I have an old Kindermann I bought used about 10 years ago. Great old enlarger - built like a tank. If I ever go to larger film, say 4X5, I'll have to enlarge my darkroom.
    Bruce

    Moma don't take my Kodachrome away!
    Oops, Kodak just did!
    For all practical purposes, they've taken Kodak away.


    BruceCSdunekPhotography.zenfolio.com

  9. #49
    Sirius Glass's Avatar
    Join Date
    Jan 2007
    Location
    Southern California
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    Multi Format
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    13,153
    Chromega Dichro II on the Omega 5D-XL just like I had available after hours for my personal work when I worked at Kodak.
    Warning!! Handling a Hasselblad can be harmful to your financial well being!

    Nothing beats a great piece of glass!

    I leave the digital work for the urologists and proctologists.

  10. #50

    Join Date
    May 2005
    Shooter
    4x5 Format
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    183
    I use a Zone VI Type II fitted with a 45S Beseler color head for B&W. I purchased the last Beseller adapter for this enlarger from Calumet. It's a nice combination.

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