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  1. #41
    baachitraka's Avatar
    Join Date
    Apr 2011
    Location
    Bremen, Germany.
    Shooter
    Multi Format
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    1,371
    Focomat Ic and Durst M600
    OM-1n: Do I need to own a Leica?
    Rolleicord Va: Humble.
    Holga 120GFN: Amazingly simple yet it produces outstanding negatives to print.

  2. #42

    Join Date
    Nov 2005
    Shooter
    4x5 Format
    Posts
    20
    Images
    2
    LPL C7700 + Heiland Splitgrade

  3. #43

    Join Date
    Dec 2004
    Location
    Chicago, Western Suburbs
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    4x5 Format
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    1,438
    An Omega D5 with a Dichroic I head.

    Neal Wydra

  4. #44
    mr rusty's Avatar
    Join Date
    Sep 2009
    Location
    lancashire, UK
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    Medium Format
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    616
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    100
    Vivitar V1. Bit of an odd-ball but I love it - nice piece of kit. I have the dichroic head with the unique "light pipe" which means a totally cold light and glassless neg holders.

  5. #45

    Join Date
    Jun 2012
    Location
    Morganton, NC
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    171
    There has been a lot of variety on enlargers. I am famaliar with a lot of them but there are a few I haven't heard of. I was given an old Elwood. When I got it home, I couldn't get it in the darkroom. Had to scrap it.
    It felt like it weighed a ton.
    This post has been very informative on what is being used now.

    Thanks for all the post.

    Richard

  6. #46

    Join Date
    Jul 2006
    Location
    Oklahoma, USA
    Shooter
    Med. Format RF
    Posts
    680
    I enlarge with a LPL 670 condenser for medium format and 1c or Valoy 2 for small format. I have the dichro head for the 670 which I use for some negatives. I bought a Durst 601 thinking it would be easier to move when I switch to the Leitz enlarger for -135. I have limited space and can't install a two enlarger setup in the DR. I went back to using the 670 for MF mostly because I got to my final print faster using familiar equipment.

    I like condensers because I get a touch higher contrast in the shadows and the prints have more snap. I know the research will say you can't tell the difference between light sources if you adjust development.
    Last edited by Richard Jepsen; 06-22-2013 at 03:28 PM. Click to view previous post history.
    RJ

  7. #47
    stevebarry's Avatar
    Join Date
    Aug 2006
    Location
    lake worth FL
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    134
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    5
    Focomat V35 and Durst 184

    Sent from my SCH-I535 using Tapatalk 2
    steve barry
    my stuff

  8. #48
    bsdunek's Avatar
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    Jul 2006
    Location
    Michigan
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    194
    Durst 606 for 35mm & 6X6. Just change lenses and film stage. For my 6X7 & 6X9 I have an old Kindermann I bought used about 10 years ago. Great old enlarger - built like a tank. If I ever go to larger film, say 4X5, I'll have to enlarge my darkroom.
    Bruce

    Moma don't take my Kodachrome away!
    Oops, Kodak just did!


    BruceCSdunekPhotography.zenfolio.com

  9. #49
    Sirius Glass's Avatar
    Join Date
    Jan 2007
    Location
    Southern California
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    13,127
    Chromega Dichro II on the Omega 5D-XL just like I had available after hours for my personal work when I worked at Kodak.
    Warning!! Handling a Hasselblad can be harmful to your financial well being!

    Nothing beats a great piece of glass!

    I leave the digital work for the urologists and proctologists.

  10. #50

    Join Date
    May 2005
    Shooter
    4x5 Format
    Posts
    183
    I use a Zone VI Type II fitted with a 45S Beseler color head for B&W. I purchased the last Beseller adapter for this enlarger from Calumet. It's a nice combination.

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