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  1. #1

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    OPinions on Toho FC-45X

    Still on my online search for optimal 4x5 among monorails.
    Another discussion about the topic brought me to this Toho. Figured quite rave review of this model:
    http://www.thalmann.com/largeformat/toho.htm
    unbelievably light yet monorail with apparently more then adequate movements.

    What make me hard to accept that is my belief that typical (even the one considered as portable) monorail shall be considerably heavier and bulkier then field camera, but this one negates this rule.

    Would be glad to hear opinions on this one, specifically regarding it's qualities as monorails, rigidity and probably comparative analysis with supposedly portable monorails such as Linhof Color Kardan 45s and Sinar F1.

    The rail on this Toho is telescopic, I wonder whether is may compromise rigidity noticeably ? Weight-wsie this camera appears to be lighter then many wooden field cameras, a nonsense, isn't it ?

    Alex

  2. #2
    BradS's Avatar
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    I haven't used the Toho...in fact, I've never even seen one but when Kerry Thalman, who has set hands on and used so many different cameras, says its good. I take it that it is good.

    That said, Kerry has been known to participate here from time to time. Maybe he'll answer your specific questions.

  3. #3
    Paul Sorensen's Avatar
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    I had a chance to see one that someone else owned and see how it worked, it is a marvel. I think it might be the answer to your question about having a light and portable monorail. The person who owned it sold his Sinar Alpina to buy it and was really glad that he had. The design is very unique and unconventional, but I think that it wouldn't be hard to get used to it.

  4. #4
    pellicle's Avatar
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    Quote Originally Posted by Alexz
    Still on my online search for optimal 4x5 among monorails.
    Another discussion about the topic brought me to this Toho. Figured quite rave review of this model:
    http://www.thalmann.com/largeformat/toho.htm
    unbelievably light yet monorail with apparently more then adequate movements.

    What make me hard to accept that is my belief that typical (even the one considered as portable) monorail shall be considerably heavier and bulkier then field camera, but this one negates this rule.

    Would be glad to hear opinions on this one, specifically regarding it's qualities as monorails, rigidity and probably comparative analysis with supposedly portable monorails such as Linhof Color Kardan 45s and Sinar F1.

    The rail on this Toho is telescopic, I wonder whether is may compromise rigidity noticeably ? Weight-wsie this camera appears to be lighter then many wooden field cameras, a nonsense, isn't it ?

    Alex
    Hi

    I've I'm a new member, and I've had one of these since 2001. I quite like the camera, its very backpackable, definately sturdy enough, and works well on smaller 35mm sized tripods (like my Manfroto)

    happy to answer specific questions if its not too lage

    :-)

  5. #5

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    I used one extensively for a number of years. If you plan on multi-day backpacking, it's a nice camera. It's more full-featured than other super light weight monorails like the Gowland. It also packs small, and it's quite rugged.

    That said, I sold mine because I didn't like it that much for non-backpacking photography. The movements do lock down securely, but adjusting them is not all that much fun. Mine would often stick or move jerkily. A little powered graphite helped quite a bit. The part where the lens/rear frames attach to the standard is a weak point. You really have to tighten the locking mechanism down, or you get flex. Mine showed some where here. In addition, squaring up the camera was a challenge. When in the detent position, my standards were definitly not aligned, which I hated, and there not an easly way to use levels, and there's not much surface area, and holding a level against a surface tended to flex that surface a bit. So, I replaced the toho with a Sinar P, which is really heavy but a joy to use, and two Fuji medium format rangefinders, which I use when I have to travel light.

    My conclusion is that the Toho is an excellent backpacking camera, but it's less desirable as an all around camera. It could be that my camera was something of a lemon. Maybe other samples are better aligned at the detent positions.

    -Peter

  6. #6

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    If you haven't already reviewed these during your on-line research, there are lots of Toho-related posts in the LF photography forum. Here are just a few samples:

    http://www.largeformatphotography.in...ht=toho+fc-45x

    http://www.largeformatphotography.in...ht=toho+fc-45x

    http://www.largeformatphotography.in...ht=toho+fc-45x

    http://www.largeformatphotography.in...ht=toho+fc-45x

  7. #7

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    I've been using one for four years. Mine weighs in at around 2lbs 12 oz (about 1.25Kg). This after I threw away the tripod mount and replaced it with an Arca Swiss style quick release plate for use with my ball head.

    It gives you full movements on both ends, but has rear focus only. I don't do a lot of architecture, but I've never needed movements it didn't have. I use lenses from 80mm to 360mm. My 360mm is in a top-hat lens board, but I don't really need it as I really seldom use the 360mm at less than infinity focus.

    It works really well with a Maxwell screen. I highly recommend it. One other addition I made to mine was to add a set of levels to the rear standard so that I could level and plumb the rear standard easily.

    In the field it's quite stiff. I've worked in some windy conditions and not seen any signs of camera shake on my negatives until last month (a 90 second exposure on soggy ground in the rain - the motion was my feet!).

    I've found nothing wanting in the Toho. I even like the way it looks (yeah, I know what that says about me ;-). It's a stiff beast, it takes abuse well, it packs well. What's not to like???

  8. #8

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    My understanding is that you can't use most roll film backs on it, correct? Except the thin ones like the Calumet that can slip in under the GG?

  9. #9

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    Quote Originally Posted by Jerry Thirsty
    My understanding is that you can't use most roll film backs on it, correct? Except the thin ones like the Calumet that can slip in under the GG?
    It doesn't have a Grafloc-style back. So you can't remove the ground glass and clip a roll film back in place. However, the back on the Toho opens wide enough to swallow up just about any roll film back ever made. I've even used mine with a Shen-Hao 6x12 roll film back (you have to be careful when inserting/removing it or you may scratch or break the GG).

    Horseman backs won't work (unless modified) as they have an extra ridge that prevents them from seating flush with the Toho. If you're willing to have a machinist modify the back, they could be made to work with the Toho.

    For 6x7 and 6x9, the Toyo roll film backs are probably the best match for the Toho. They fit without modification, slide in easily without risk of damage to the GG and and hold the film nice and flat.

    Kerry

  10. #10

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    I'll second everything good that has been said about this camera. I got the FC45A when it came out and later upgraded to an FC45X (MUCH more substantial rail and easier movements, at a small weight penalty, with the same top end). As well as 4x5, I use a Horseman 6x12 back in mine: the extra ridge was milled off, and I put a couple of stick-on felt dots on the back of the film-holder to stop it scratching the ground glass.

    But I'll also agree that while it's the perfect travel camera (not just backpacking -- ideal for flying and motorcycling too), it's a good idea to have something else in the studio, with smoother movements. With 4x5 monorails dirt cheap, you can buy one of those as well.

    Cheers,

    Roger (www.rogerandfrances.com)
    Last edited by Roger Hicks; 05-26-2006 at 02:42 AM. Click to view previous post history. Reason: mistype

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