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  1. #1

    Join Date
    Sep 2002
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    Sydney
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    10
    I recently acquired a Kodak 305mm Portrait lens in an Ilex shutter which i am using for a studio project on 8x10 black & white. It is truly magnificent in its rendering both in terms of resolution/aberration and tonality. There seems to be considerable acreage to the image circle and the uncoated optics form a very gentle image gradation - particularly suited to the subtle nuances of contact printing.

    The rewards of this lens have fired up my determination to get a 14 inch Commercial Ektar for images with greater resolution and similar tonal gradation. Is anybody willing to share any data concerning image circle, etc. of these lenses? Or is there a recommended site that lists such arcanum?


    Walter Glover
    Sydney, Australia

  2. #2

    Join Date
    Sep 2002
    Posts
    1
    Walter,

    I'm quoting from "Large Format Optical Reference Manual" - J.L. Wooden 2000.

    The 14" in an Ilex/Univ, Sync. - Max f/6.3 - 4 elements in 3 groups - 75mm filter size - angle of view is 53 degrees and an image circle of 444mm at f/22.

    I hope that is of some use.

    Best wishes,
    Alan
    Alan
    Sydney, Australia

  3. #3
    David A. Goldfarb's Avatar
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    Sep 2002
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    The 14" Commercial Ektar was one of Yousef Karsh's preferred lenses.

    Info on the classic Ektar lenses can be found in a few spots:

    http://largeformatphotography.info/classic...ic-experts.html

    http://people.smu.edu/rmonagha/mf/ektar.html
    flickr--http://www.flickr.com/photos/davidagoldfarb/
    Photography (not as up to date as the flickr site)--http://www.davidagoldfarb.com/photo
    Academic (Slavic and Comparative Literature)--http://www.davidagoldfarb.com

  4. #4

    Join Date
    Sep 2002
    Posts
    51
    Walter,

    The 14 inch Commercial Ektar is one of the three lenses I *always* carry for 8x10 work. The Commercial Ektar is a relatively simple tessar design, but the quality control was fabulous. The lens (according to Arthur Kramer in some discussion years ago) was optimised for contrast, rather than resolution, specifically for use by commercial photographers shooting chromes for full page magazine ads. This is apparantly why it is also wonderful for b&w contact printing work. In practice, while tessars don't have enormous image circles, you've still got tons of adjustment available on the 8x10 format. My Deardorff comes very near encountering bellows cutoff before the Ektar runs out of image circle.

  5. #5

    Join Date
    Sep 2002
    Location
    Nuernberg, Germany
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    214
    I too am a fan of commercial ektars for b/w work. I have the 12" version and am more than happy with it's sharpness, contrast (again, 8X10" contact prints) and image circle as well.
    - William Levitt

  6. #6
    Eric Rose's Avatar
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    Nov 2002
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    Calgary AB, Canada
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    I tried to find one of the oldest posts on APUG and bring it back to the top, just for grins. During my research I found that the topics discussed today aren't very much different than those in 2002.
    www.ericrose.com
    baddog.ericrose.com

    "civility is not a sign of weakness" JFK

    "The Dude abides" - the Dude

  7. #7
    Ralph Javins's Avatar
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    Jul 2008
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    Latte Land, Washington
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    Good morning, Eric Rose;

    You're right. The topics do not really change that much. There are always people coming along who are new to the subject. I am one of those, having years with 35mm, but just a few months short of two years with Large Format. I admit that I am learning photography all over again. A view camera is a humbling thing.
    Enjoy;

    Ralph Javins, Latte Land, Washington

    There is no digital effect or computer program or an "add-on" or "plug-in" for Adobe PhotoShop Creative Suite 5,
    that can simulate or equal watching the magic that happens in the developing tray when you can turn on the safe light,
    and see the image begin to faintly form on the print and come up on the paper in the developing tray.

  8. #8
    Curt's Avatar
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    Do you think Walter ever got that 14" lens?
    Everytime I find a film or paper that I like, they discontinue it. - Paul Strand - Aperture monograph on Strand



 

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