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  1. #41

    Join Date
    Sep 2004
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    Sussex UK
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    Almost always 150. Sometimes (rarely) 210. For some reason, my choice of "preferred" lens becomes less wide angle as I move up in format. I have no idea why this should be.

  2. #42

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    Nov 2004
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    135mm Multicoated Symmar-S

  3. #43
    roteague's Avatar
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    Jul 2004
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    Quote Originally Posted by Drew B.
    the 90..then the 90, and if needed, I go to the 90.
    Drew, you do yourself a disservice by not going with the 90, but that is just my opinion.
    Robert M. Teague
    www.visionlandscapes.com
    www.apug.org/forums/portfolios.php?u=2235

    "A man who works with his hands is a laborer; a man who works with his hands and his brain is a craftsman; a man who works with his hands and his brain and his heart is an artist" -- Louis Nizer

  4. #44

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    Nov 2005
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    Los Angeles, CA
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    Quote Originally Posted by 25asa
    135mm Multicoated Symmar-S
    me too. next most favorite is 210 symmar-s mc. but i am starting to really like a fujinon-sf 250mm.

  5. #45
    JohnArs's Avatar
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    It depends in wich era: in landscapes it is 210mm in architectural it is 47mm and 75mm and short behind the 90mm!
    Good light and nice shadows!

    www.artfoto.ch

  6. #46

    Join Date
    Feb 2004
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    san jose, ca
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    150/6.3 fujinon. But seeing I have a 4x5 back for my 5x7 and I have some nice 210 and 305 glass, with new Packard shutters, that may change.

    tim in san jose
    Where ever you are, there you be.

  7. #47
    reellis67's Avatar
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    Mar 2005
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    Quote Originally Posted by ricksplace
    127/4.7 Ektar and 203/7.7 Kodak Anastigmat (uncoated ektar).
    I use those all the time too! I was beginning to think I was the only one with these lenses.

    - Randy

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