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Thread: New Chamonix

  1. #11
    Barry S's Avatar
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    You mean the original Linhof Technika boards with the crest? Those are pretty expensive--even used, and I'm not sure of the benefit, other then a natty crest. Wista boards are nice, and they've also got the crests. Ebony boards have (what else, but) ebony veneer over the metal plate. I've got a variety and they all look good and work well. if you're going to splash out, Chamonix sells carbon fiber lens boards. I prefer the boards with the center drilled holes, so I don't get cheated out of any front rise.

  2. #12

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    KEH sells the Linhof boards. Just picked up 2 yesterday for about 17$ each. I think in the future i will also make my own boards.
    Looks like 3 or 4mm model plywood should work great and the cost would be only 1 or 2$ each.

  3. #13
    donbga's Avatar
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    Quote Originally Posted by Barry S View Post
    You mean the original Linhof Technika boards with the crest? Those are pretty expensive--even used, and I'm not sure of the benefit, other then a natty crest. Wista boards are nice, and they've also got the crests. Ebony boards have (what else, but) ebony veneer over the metal plate. I've got a variety and they all look good and work well. if you're going to splash out, Chamonix sells carbon fiber lens boards. I prefer the boards with the center drilled holes, so I don't get cheated out of any front rise.
    I simply meant Linhof style, I really want to avoid wooden lens boards. The carbon fiber boards sound nice but how long would it take to get them?

    Thanks,
    Don Bryant

  4. #14
    Barry S's Avatar
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    You can PM Hugo and see what he says about the carbon fiber boards, but if they're in stock, they're very quick about shipping stuff out. All the other boards that have been mentioned are metal.

  5. #15
    Jeff Bannow's Avatar
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    Just got mine too and it is truly an amazing piece of work.

    Question for whomever - Mine doesn't have any markings on the ground glass indicating the size of the various formats (ie there are markings for say 6x9, but it doesn't say 6x9). Does anyone have a photo showing what the sizes are?
    - Jeff (& sometimes Eva, too) - http://www.jeffbannow.com

  6. #16
    Rolleiflexible's Avatar
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    Does someone have contact information
    for Chamonix? Is there a list online of
    cameras, formats and pricing?
    Sanders McNew
    My Flickr stream

  7. #17
    Jeff Bannow's Avatar
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    Quote Originally Posted by Rolleiflexible View Post
    Does someone have contact information
    for Chamonix? Is there a list online of
    cameras, formats and pricing?
    The 4x5 was around $850 shipped. You need to contact Hugo Zhang and he can give you all the details.
    - Jeff (& sometimes Eva, too) - http://www.jeffbannow.com

  8. #18

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    design flaws? I don't know if I would call them flaws, but the way the camera works is a little bit different than most other field cameras.

    One thing i've found handy, is when adjusting front swing, I don't loosen the front standard all the way, I make it just loose enough so that I can nudge it to rotate the standard with my thumb (using a bit of pressure), but not loose enough so that it is easily moved by accident. This makes adjusting swing for very fine adjustments quite easy, without adjusting shift in the process. I usually set my front shift (if needed) with the standard loose, then tighten down the standard until it's starting to get snug, then I can nudge the standard with my thumbs to adjust swing. Sometimes I tighten the standard down farther after I've made my adjustments, but usually I just leave it like it is, cocking the shutter never moves the standard when it's lightly snug, at least it hasn't for me.

    Rear standard adjustment (for swing/shift) is a little tricky (or different, maybe is a more accurate description) compared to other camera designs. I don't have any tips on using this, once you've used it a few times, you'll get a feel for how it moves.

    I've also found that when switching from a wide lens to a longer lens, you don't always need to re-position the front standard into a screw hole farther out. The focusing knob can move the standard out a good ways, this may save you some time when switching lenses, if you know you don't need to un-screw and re-position the front standard when switching between certain lenses. Depends on how much of a jump in focal length you're making.

    Also, I keep a small allen wrench with me (1.5mm I believe?) incase some of the small allen nuts get to loose or are to tight. Particularly on the thumb latches that stop the rear standard's tilting to 90 degrees, and the front standard's tilting. When I first got the camera those thumb latches were to tight to move comfortably, but then after making them more loose, they were to loose after a while. So I found a happy medium later on. But I keep that allen wrench with me, just in case they get to loose again (they haven't so far). I always try to keep at least a small allen wrench, small phillips & flathead screwdrivers with me when shooting though (with any camera), you never know what might need some tightening :-)

    Good luck, enjoy! It's a great camera!
    Last edited by Daniel_Buck; 08-06-2008 at 02:31 PM.

  9. #19
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    Quote Originally Posted by jbannow View Post
    Just got mine too and it is truly an amazing piece of work.

    Question for whomever - Mine doesn't have any markings on the ground glass indicating the size of the various formats (ie there are markings for say 6x9, but it doesn't say 6x9). Does anyone have a photo showing what the sizes are?
    I am pretty sure they are 6x12, 6x9, 6x7 and 6x6.
    But you can simply measure it with a centimeter ruler to be 100% sure
    Thanks,

    Francesco Gallarotti
    ---
    www.francescogallarotti.com

  10. #20
    Jeff Bannow's Avatar
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    I'm okay with the 6xVarious, but am more confused by the other marks in the top corners. I will see if I can take a decent shot of the ground glass to show what I am speaking of.
    - Jeff (& sometimes Eva, too) - http://www.jeffbannow.com

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