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  1. #11
    Ole
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    Just remember that the bellows factor is a function of reproduction ratio, not focal length. So taking a picture of the same subject at the same size on the film with a 150mm, a 210mm and a 300mm gives exactly the same bellows factor.

    Apart from that, all reasonably modern lenses by any of the four main lens makers are excellent.
    -- Ole Tjugen, Luddite Elitist
    Norway

  2. #12
    darinwc's Avatar
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    Thank you,
    as Ole said, if you get up close and personal you are going to have bellows extention compensation no matter what lens you use.

    As far as the nikkor is concerned, its a modern plasmat, so its sure to be sharp and have adequate coverage.
    I doubt you could tell the difference from any other similar lens, or most any other lenses designed for general LF photography. What more could you want?

  3. #13

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  4. #14

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    Tanks for all the tips

    So I got the lens a couple of days ago, did not have a chance to really test it beyond a few shots. So far I'm happy with the way it performs. Here are some links to the first images shot with it.

    http://www.heliconmedia.net/files/dad5.jpg
    http://www.heliconmedia.net/files/dad7.jpg
    http://www.heliconmedia.net/files/dad1.jpg

  5. #15

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    larkis, these shots are wonderful. Which film did you shoot them on? I also have this lens.

    Thanks,
    Nasir

  6. #16
    Ralph Javins's Avatar
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    Good morning, Larkis;

    The NIKKOR 5.6/210mm lens is working for you. Nicely done. And you obviously have a remarkably tolerant Dad.
    Enjoy;

    Ralph Javins, Latte Land, Washington

    There is no digital effect or computer program or an "add-on" or "plug-in" for Adobe PhotoShop Creative Suite 5,
    that can simulate or equal watching the magic that happens in the developing tray when you can turn on the safe light,
    and see the image begin to faintly form on the print and come up on the paper in the developing tray.

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