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The standard Large Format process...
The Large Format Photographic Process.
(In 66 easy steps)
1. Wake at 3:00 AM.
2. Load 100 Lbs of gear into truck.
3. Go to 7-11, get coffee.
4. Curse.
5. Return home, get film off of kitchen table.
6. Curse for late start.
7. Drive to location.
8. Park truck, step out into cactus.
9. Move truck.
10. Get out, stumble in the twilight looking for marker you left last time.
11. Step in wet cow pie.
12. Wipe off cow pie.
13. Find marker.
14. Get tripod out of truck.
15. Set tripod.
16. Return to truck for camera.
17. Place camera back in truck.
18. Get wrench out of toolbox.
19. Pick collapsed tripod up off ground, tighten leg tension screw.
20. Reset tripod.
21. Get camera out of truck.
22. Mount camera on tripod.
23. Open camera.
24. Mount lens.
25. Get dark cloth and loupe.
26. Try to compose image.
27. Remove lens, remove rear lens cap.
28. Mount lens.
29. Open lens.
30. Compose and focus.
31. Apply front tilt and re-focus.
32. Insert film holder.
33. Take meter reading.
34. Try to set f-stop and shutter speed, find lens pointing at ground.
35. Remove film holder.
36. Pull front standard back and lock this time.
37. Re-focus.
38. Insert film holder.
39. Set shutter speed and f-stop.
40. Cock shutter.
41. Remove dark slide.
42. Try to trip shutter.
43. Remove film holder, throw away film, insert dark slide.
44. Close lens.
45. Insert film holder.
46. Check lens, test shutter.
47. Cock shutter.
48. Remove dark slide.
49. Trip shutter.
50. Remove film holder.
51. Throw away film, replace dark slide.
52. Return to truck.
53. Find second film holder.
54. Go back to camera.
55. Make exposure.
56. Remove rear darkslide when removing film holder.
57. Return darkslide.
58. Lock darkslides.
59. Remove film holder.
60. Walk back to truck.
61. Place film holders in film bag.
62. Remember you replaced darkslides white side out.
63. Realize you didn’t mark film holders and don’t know which ones you just used.
64. Go to cooler.
65. Open beer.
66. Take up watercolors.
DIGITAL IS FOR THOSE AFRAID OF THE DARK.
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2F/2F
"Truth and love are my law and worship. Form and conscience are my manifestation and guide. Nature and peace are my shelter and companions. Order is my attitude. Beauty and perfection are my attack."
- Rob Tyner (1944 - 1991)
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Well, ha ha, I have shortened up this process for myself, as I regularly shoot about 70 sheets in a full day of 5x7. It takes practice.
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 Originally Posted by PHOTOTONE
Well, ha ha, I have shortened up this process for myself, as I regularly shoot about 70 sheets in a full day of 5x7. It takes practice.
Jeez, that is expensive....:o
Luckily, my worst large format troubles have come from changing bags. There have been 25-sheet-ruining horrendous light leaks on the bags checked out at school, and horrendous dust (the worst kind: the kind that settles on the film prior to exposure) even with a brand new bag. The most infuriating part is that the school refused to throw away the totally wasted changing bag, continuing to check it out to future students...
The time I developed a whole 10-sheet box of film in a batch of expired C-41 developer was pretty good too....Talk about some funky color...
But, as I said, luckily the shooting itself has always gone OK as far as things like accidentally exposing film, double exposing, etc.
Then there is the saga of the last cyclorama I *tried* to do. No matter what I did, the shots just would not come out sharp as a tack on 160 film, like I know large format can do even with a 400 film. In the end, I made three trips totaling nearly 1,000 miles, shot 66 pieces of film, and used 30 pieces of 11x14 enlarging paper. I actually completed all the printing on the last attempt just because I needed to turn something over, but it still just wasn't sharp enough. I have no idea what the problem is. It has never happened before or since. Considering gasoline, driving time, processing time, printing time, etc., I think I have spent more time on this one project than any other, and still hate it. HA!
Last edited by 2F/2F; 08-30-2008 at 02:57 AM.
2F/2F
"Truth and love are my law and worship. Form and conscience are my manifestation and guide. Nature and peace are my shelter and companions. Order is my attitude. Beauty and perfection are my attack."
- Rob Tyner (1944 - 1991)
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This is in all likelihood an accurate description on how my day will turn out. A friend of mine has just bought a Sinar F2…
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Sponsored Ad. (Subscribers to APUG have the option to remove this ad.)
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I knew there was a reason I still shoot roll film - no truck.
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I see why I continue to use medium format. I can get an extra 30 minutes of sleep, drink better coffee, and only carry 60lbs of gear, thusly able to carry an extra 40lbs comprising more beer and steaks.
I do however have an interest in trying large format. But, I also have an interest in sticking my hand in a running meat grinder. So both are potentially things that might not ever happen.
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I see why I don't get up a 3:00 AM. 
If I really have to take a picture at 3 AM, I'd much rather just stay up.
If I really need to shoot a sunrise, I'll do it in November when the sunrise is at a decent time - 11 AM - or june when it's around 1 AM (and not got to bed until after sunrise).
-- Ole Tjugen, Luddite Elitist
Norway
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Great story... I laugh with you, not at you!
Perhaps step #4 is the direct result of step #3 more than a result of step 5??
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At least your zip code doesn't start with zero
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