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  1. #11
    Thomas Bertilsson's Avatar
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    Quote Originally Posted by Sirius Glass View Post
    Interestingly enough, the 4"x5" Graflexes came equipped with a 7 1/2" lens which in the metric system is 190.5 millimeters. Maybe they knew then what you have learned now.

    Steve
    Do you know for a fact that this is the case? My 4x5 Crown Graphic had its original lens (supposedly), and that was a 5" Ektar. (127mm). Were there different versions, maybe? Or was I made a fool of?
    "Often moments come looking for us". - Robert Frank

    "Make good art!" - Neil Gaiman

    "...the heart and mind are the true lens of the camera". - Yousuf Karsh

  2. #12

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    I'm pleased to see that my original questions had lots of interesting replies with helpful information, thanks to all.

    I think I'll stick with this camera/lens combination for now, now that I know that the bellow can be extended past the infinity stops, that will fix my close focus distance issue. Maybe in the meantime I'll save up for a nice Linhof to keep the Crown company

  3. #13

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    cluttered -

    a sort of easy way to think about 35mm lens equiv's in 4x5 format is take he focal length
    and multiply it by 3 and you will get around the same thing in 4x5 ... ( for ex, a 50mm on a 35mm is around a 150mm on a 4x5 ).
    if you are used to using longer lenses try longer tele-design lenses like the 10" tele raptar, sometimes mounted in an alphax shutter.
    don't forget if you use your current lens for close-work you might need to add extra light / time to compensate for bellows extension

    have fun !
    john

  4. #14
    jp498's Avatar
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    There may be metal stops on the rails which are preventing it from focusing closer.

    For 210-ish mm you have lots of choices, though 150 is also quite useful.

    I have these choices for $200ish each (what I paid, I'm not selling them)
    203mm graflex optar which is very smooth and has a nice background bokeh; physically small like the ektar. Uses a special bi-pin cord for flash sync. Compact and original looking.
    210mm Fujinar - a Fuji made tessar. Tessars are great all purpose lenses with nice bokeh, especially good for portraits. Normal pc flash sync.
    210mm Nikkor - biggest and newest of the bunch. I bought it for a good deal and haven't actually needed it yet as I am pleased with the Fujinar. Normal pc flash sync.


    A tessar style will have the nicest bokeh (my subjective opinion), while a planar style will look almost as nice and be a lot brighter.

  5. #15

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    Quote Originally Posted by jnanian View Post
    don't forget if you use your current lens for close-work you might need to add extra light / time to compensate for bellows extension
    This morning I had a close look at the bellows extension on my Crown, turns out it was just a simple matter of lowering the infinity stops on the rails, which then allows the bellows to extend much further. Doing this I was able to focus as close as approximately 1 metre. Much better!

    As to your comment on compensation for the extra bellows extension, that is a new issue that I wasn't aware of. A quick google search shows a bunch of resources about the calculations involved, I'll now go and study it

  6. #16

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    In the 200mm range, there are a lot of options. What sort of lens are you looking for? Old, new, coated, not, convertible?

    As someone mentioned, the 203mm Ektar is a joy - I have the 203mm f7.7 Kodak Anastigmat, which is an early, uncoated version of the Ektar (its a dialyte type lens, and is actually at its sharpest wide open). That lens, in an old rimset Compur, lives on my speed graphic. A cheap option is the Ilex Acutar (you might find it in a Copal 1) - 215mm f6.3, Tessar type. There are newer, Caltar versions as well. Nikkor lenses are beauties (I sold my 150 to raise cash but kept the 90 in Copal zero). Dagors have a distinctive look, tons of coverage for their length, and are convertible - I use a 5" on my Speed for landscape work and a 9 1/2" on my 8x10 for everything from landscape to portrait. Turner-Reich convertibles are a favorite of mine in all formats - they're triple convertibles - I use a 6"-ish lens on 4x5 and the 12-21-28 on 8x10. Protars are another nice convertible. Then there are the oldies - Aplanats, Rapid Rectilinears, etc - nice old look for portraits but most dont have working shutters (or came in barrel) so are better suited for a Speed rather than a Crown.

    As you mentioned, play with the Xenar for a bit and see where you want to go from there. You may find yourself hampered by the shortish bellows on the Crown and want something with some more draw. Or, you may want the focal plane shutter to use barrel lenses. I wouldn't rush to do anything yet. The Xenar is a nice lens.

    Dan

  7. #17
    Thomas Bertilsson's Avatar
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    Steve, thank you for the clarification.

    I was under the impression that Crown Graphics were made by Graflex. That's what I remembered from my own camera years ago.



    Quote Originally Posted by Sirius Glass View Post
    I purposely said Graflex and not Graphic! Graflexes had longer focal length lens to make room for the rising mirror and were used more for portraits. Graphics were used be press photographer who wanted wider than normal lens so that they would be sure to catch the subject in the photograph and cropping out the rest. Two different types of cameras made by the same company.

    You want a factual basis:
    GRAPHIC GRAFLEX Photography, Ninth Edition, Willard D. Morgan and Henry M. Lester, Morgan & Morgan, Inc., Hastings-On-Hudson, NY, 1971
    Creative Graflex Photography, Jay Allen, Self Published, 2009
    THE ALL AMERICAN CAMERAS a review of GRAFLEX®, Richard P. Paine, Alpha Publishing Company, Huston Texas, 1981
    The Evolution and Demise of the Larger Format Press Camera, Reg Holloway, Epic Press, Belleville Ontario Canada 2008
    Steve
    "Often moments come looking for us". - Robert Frank

    "Make good art!" - Neil Gaiman

    "...the heart and mind are the true lens of the camera". - Yousuf Karsh

  8. #18

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    Thomas,

    The Crown Graphic is a Pacemaker Speed Graphic without the focal plane shutter. When you see a reference to Graflex, it can be the company itself, or it can be the non-Graphic models they built. For example, the RB Graflex Series D (RB means "rotating back"). These were the SLR type camera which Graflex produced - because of the swinging 4x5 mirror, the bodies were big boxes, and, to clear the mirror, a longer lens was needed. Common on these was the Kodak #34 Anastigmat at around 190mm, where the normal lens for the Pacemaker Graphics was either the 127mm Ektar or 135mm Optar.

    Dan

  9. #19

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    Graflex SLR vs Speed Graphic

    Click image for larger version. 

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    Here is an Anniversary Speed Graphic and a Graflex RB Super D. Both cameras are 3-1/4x4-1/4.
    Dave

    "She's always out making pictures, She's always out making scenes.
    She's always out the window, When it comes to making Dreams.

    It's all mixed up, It's all mixed up, It's all mixed up."

    From It's All Mixed Up by The Cars

  10. #20

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    What is a focal plane shutter? What is the mean difference between Pacemaker SG and Crown Graphic? I have those 2 and didn't use any of them yet [i bought one without any lens or lens board and the other with lens on lens board, so i have only 1 lens to use for both] and i don't know what i will get with over the another.

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