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rodenstock was the manufacturer
it was probably used for the graphic arts/reproduction(flat work primarily) industry. AKA "plate" making before digital platesetters
it'll work as a taking lens, and will cover 8x10 wide open, possibly larger when stopped down enough. Its "sweet" spot from what I've read is around F/16-22
it's multicoated, (see the multiple reflections in your 4th picture)
-Dan
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I've never seen one with "chemco" on it. No idea what that means- the font looks a little different as well, perhaps a company had it engraved? Get out some lens cleaning solution and a microfiber cloth and see how clean you can get it.
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I also have this lens.
http://www.prograf.ru/rodenstock/largeformat_en.html
Mine came from a very large vertical camera. I'm hoping I can utilize it as an 8x10 enlarger lens. If I recall, you can easily unscrew the front and rear elements for cleaning.
Last edited by anon12345; 07-19-2011 at 11:37 AM.
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This might shed some light on the “chemco” name appended to the Rodenstock process lens. This would have been a customer request that the process lenses used on chemco products also bear the “chemco” brand.
Similarly, we sometimes see Schneider lenses with the additional “Durst” name added to the barrel.
http://www.trademarkia.com/free-trad...hotomechanical
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With respect to post #5:
In theory the 480/9 APO Ronar could be used to enlarge 8” x 10” negatives.
Unfortunately, in most cases the magnification is too low to be practical for this format. The image area of an 8” x 10” film holder is about 195.5mm x 245.5mm.
In order to make a 8.5” wide projection to cover an 8” x 10” print we need 1.1X magnification.
That requires about 1925mm from negative to print. The negative-to-lens distance needs to be about 915mm. Much of that would have to be bellows to place the lens at the proper position.
To make a 20.5” wide projection to make a 20” x 24” print you need 2417mm from negative to print and 660mm from lens to negative for a 2.7X magnification.
You’ll need a really generous sized enlarger to accomplish this.
The above numbers are calculated from the Thin Lens Equation and aren’t perfect for a real-world lens, but the error usually isn’t much.
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 Originally Posted by Ian C
With respect to post #5:
In theory the 480/9 APO Ronar could be used to enlarge 8” x 10” negatives.
Unfortunately, in most cases the magnification is too low to be practical for this format. The image area of an 8” x 10” film holder is about 195.5mm x 245.5mm.
In order to make a 8.5” wide projection to cover an 8” x 10” print we need 1.1X magnification.
That requires about 1925mm from negative to print. The negative-to-lens distance needs to be about 915mm. Much of that would have to be bellows to place the lens at the proper position.
To make a 20.5” wide projection to make a 20” x 24” print you need 2417mm from negative to print and 660mm from lens to negative for a 2.7X magnification.
You’ll need a really generous sized enlarger to accomplish this.
The above numbers are calculated from the Thin Lens Equation and aren’t perfect for a real-world lens, but the error usually isn’t much.
Thanks Ian for this data. All will be seen as I put together this 8x10 horizontal enlarger (DIY). Distances will be no problem in this configuration. As I only gave $5 for the lens, it wont be a big loss should it fail to perform.
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Horizontal projection makes this much more practical so long as you have sufficient bellows. There’s nothing wrong with using a good process lens for enlarging. I’ve use a 305/9 APO Nikkor for 8” x 10” negatives and later acquired a 240/5.6 EL Nikkor. I can’t see any difference in prints from the same negatives.
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