I'd probably dive into ULF, and I'd certainly stock up on some at-risk films, but I don't think I'd do anything drastic to expand the various kits I have. You know what I *really* want to be able to buy more of? TIME!
San Diego, CA, USA
The lady of the house has to be a pretty swell sort of person to put up with the annoyance of a photographer.
-The Little Technical Library, _Developing, Printing, And Enlarging_
If money was no object , I would go to philosophy and art history , optics , glass blowing schools in Italy and Germany. I would spend my money in to them and see what happens to my photographs 15 years later.
I'd get some high end lenses for my 8x10; a Chamonix 4x5 with a range of high end lenses; a Flextight scanner; a darkroom set up for traditional B&W and colour printing and processing as well as alternative processes, a huge freezer stuffed full of at risk films in various formats, etc