I'd probably dive into ULF, and I'd certainly stock up on some at-risk films, but I don't think I'd do anything drastic to expand the various kits I have. You know what I *really* want to be able to buy more of? TIME!
San Diego, CA, USA
The lady of the house has to be a pretty swell sort of person to put up with the annoyance of a photographer.
-The Little Technical Library, _Developing, Printing, And Enlarging_
If money was no object , I would go to philosophy and art history , optics , glass blowing schools in Italy and Germany. I would spend my money in to them and see what happens to my photographs 15 years later.
There's not much of anything I'd change. Stuff I really want, money cannot buy.
He said it.
The photographer must determine how he wants the finished print to look before he exposes the negative.
Before releasing the shutter, he must seek 'the flame of recognition,' a sense that the picture would reveal
the greater mystery of things...more clearly than the eyes see." ~Edward Weston, 1922.
I'd get some high end lenses for my 8x10; a Chamonix 4x5 with a range of high end lenses; a Flextight scanner; a darkroom set up for traditional B&W and colour printing and processing as well as alternative processes, a huge freezer stuffed full of at risk films in various formats, etc