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  1. #51
    Ole
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    Sep 2002
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    Bergen, Norway
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    I point my camera out the window yet again - this is one of my "standard test subjects":
    Attached Thumbnails Attached Thumbnails symmar-Salhus2.jpg  
    -- Ole Tjugen, Luddite Elitist
    Norway

  2. #52
    sionnac's Avatar
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    Mar 2005
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    Boston area
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    I like to combine landscape with portraits, street with feet, portraits with environment, still life with kinetic life. And the ocean, anything sea-related.

  3. #53

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    Mexico City
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    I work in a project that I call "The World at 2 and a half feet", I set my Leitz 1:1,4/35mm Summycron at the closest distance it focus, 2 1/2 feet, 70 cms, and look at something that I think is interesting, then I approach to the subject 'till it's in focus.

  4. #54

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    Oct 2003
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    Århus, Denmark
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    It is normally my models who can't get out

    When I can't, I photograph still life with lots of different stuff. At the moment syringes, needles and other medical stuff that is laying around after a kinky photo shoot some days ago....

    Morten

  5. #55
    Donald Qualls's Avatar
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    Jan 2005
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    North Carolina, USA (transplanted from Seattle)
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    When it was raining yesterday when I wanted to make the fifth pinhole image in a challenge series for f295, I made a picture of my lathe. Night shiny metal, a little rust (on unimportant surfaces), paint, and some swarf, lit by the same lights I work by when using it. Not developed yet...
    Photography has always fascinated me -- as a child, simply for the magic of capturing an image onto glossy paper with a little box, but as an adult because of the unique juxtaposition of science and art -- the physics of optics, the mechanics of the camera, the chemistry of film and developer, alongside the art in seeing, composing, exposing, processing and printing.

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