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  1. #1
    juan's Avatar
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    Exhibiting in non-traditional places

    What do folks do about agreements when exhibiting in non-traditional places such as coffee shops, yoga studios, etc? What do you get in writing - an inventory, the split on sales, anything to do with liability if a photo falls on someone, who bears the cost if a photo is "lost"? I'm sure that a long, detailed contract would be best legally, but I can also see how many small business owners would rather not exhibit than get into potential legal hassels.
    Thanks,
    juan

  2. #2

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    I did an exhibit in a cafe/bar/resturant in Glasgow last year.
    I did ask if they were covered for loss or damage to my prints. No was the reply, but they assured me that they had never had any lost or damaged.
    I left a contact if anybody wished to enquire about the prints. I didn't sell any, street and photo-journo (what I generally do) goes down well but is very hard to sell.
    I never discussed or thought about any of the other points you mention.
    I get the chance to display, they have an ever changing gallery. The two weeks slots there are usually booked up for about 6mnths in advance.

    I'll maybe do it again this year, doing a bit of work on my presentation first, so it's better this year.
    Last edited by gareth harper; 05-24-2005 at 12:14 PM. Click to view previous post history.

  3. #3

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    I put up framed stuff in a nearby 'gastro pub'. I've been putting up new stuff, swapping things about for about 6 years now. Some of the prints are big - 40" and some are small - 5x4 contacts, and some I put in the gents toilets! (these are 'nude' pics) On the whole I sell stuff steadily, the nudes go slowly, but mainly what sells there are landscape based pics small to medium sized (contacts to 20x24). The 40" prints create interest but on the whole are difficult to sell. The bar owners take 20% (OK by me), they pay dead quick, but I have had 2 cases of broken glass, and a few scuffed frames - this sort of goes with showing work in a non gallery location where the alcohol flows quite freely.
    I would say show your work if the location feels right, and dont be outraged if others show it less respect than it deserves. It's a good way of spreading the word, and becoming known.
    A contract may work, but only if you need one - screw your stuff to the walls!

  4. #4

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    It may be a good way to have your stuff seen, but don't expect your work to sell - those places aren't set up to sell your work, and the people entering those places aren't there looking to buy artwork.

    Good luck.
    Graeme Hird
    www.scenebyhird.com

    Failure is NOT an option! It comes bundled with your software ....

  5. #5
    Ole
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    I'm thinking about a small exhibition in the local hairdresser's - it's the only shop in the village.

    She gets decorations, I get to display some prints.
    -- Ole Tjugen, Luddite Elitist
    Norway

  6. #6
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    As a portrait photographer and mostly of children, I have 16x20 and 20x24 framed portraits of kids in dentists offices, hairdressing shops, laser skin surgery places, so far.

    Since I'm not selling the prints themselves but just advertising, with a business holder near the prints I get a lot of calls from those.

    Michael
    I couldn't think of anything witty to say so I left this blank.

  7. #7
    Bob Carnie's Avatar
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    I agree with Blansky and Ole, it is a good trade off for both parties, trying to sell them on top of that is a bonus. I would think a small commision is in order to the shop showing and selling your work. The more your photographs are seen the better .

  8. #8

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    its a lot of fun showing photos in cafés, resto-pubs and ice cream shops. the ones around boston + providence don't charge a large than 15% commission, and some will even let you have an opening reception - - it is a good way for random people to see your stuff ...

    but on a different note, dont forget that if your photographs are in a pub/restaurant/coffeeshop the matboard + print will absorb some of the smoke, smells of the place they are hanging. i stopped showing work in pubs when my matboard began to turn yellow like the teeth of a smoker.
    Last edited by jnanian; 05-25-2005 at 11:26 AM. Click to view previous post history. Reason: no idea how to spell

  9. #9

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    Any tips on hanging them?
    I've got an oppertunity to display my work in the Camcorder Guerilla office in Glasgow, http://www.camcorderguerillas.net/
    Basically it can be a holding point for my work between displays etc.
    The office is quite busy at times plus will be acting as a media centre during this summers G8 meet.
    One wall appears to be brick, and the others partitions.
    Will standard picture hooks do, knocking then into the plaster/brick or the battons on the partitions. I don't want any of them falling off the walls, more from the point view of anybody getting hurt or some of the expensive gear in the office being damaged.
    How do you guys hang em office/bar/resturant enviroments?

  10. #10

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    With plaster and plasterboard walls I found a good way is to use mirror plates screwed to the frames - 2 plates, 1 down each side (B+Q sell them, I get them from a framers suppliers). 2 down each side if the frame is heavy/big. Then I use standard cross head wood screws about 1" long, and I know it's not the correct way, but these screws go easy into the plaster and hold the frame up OK. With brick I use the hard masonary nails hit in at an angle - this is easy and again not the 'correct' way, but it works. In the end though it all depends how flexible the folks are where the pics are being put up. they may insist you drill holes and use plastic plugs with screws (best way) Picture hooks need nails also but are prone to being knocked, giving your work a 'wonkey' look, but the mirror plates dont tilt at all, keeping the frame flush with the wall, and can be given a dab of paint to match the wall. How many ways are there to put up frames!. In my experience something has to be bashed/drilled into nice clean walls!

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