Another way I juggle exposure/development with Azo and Ansco 130 is to use a sort of "stand development" with the print. I agitate for 30-seconds, then let the print float, face down, on top of the developer for a minute.

This seems to work well for some of my high contrast photos of the swamps here in Florida. I have not tried this with any clear, open sky, so I don't know what the method might do in that case.